Thirteen-year-old Antoine Doinel tries to cope with the various forces tearing his life apart: his parents' contentious marriage (made worse by the confined space of their apartment), his own lack ...
Thirteen-year-old Antoine Doinel tries to cope with the various forces tearing his life apart: his parents' contentious marriage (made worse by the confined space of their apartment), his own lack of interest in school, his desire to live like an adult and have pocket money, and his adolescent desire for freedom. Feeling unloved and unwanted at home, Doinel begins to rebel--only to lose what little he already had.
Le Paris gris à la fin des années cinquante. A quatorze ans, Antoine Doinel n'a que des ennuis, tant à l'école qu'à la maison. N'ayant pas fait une punition, il sèche l'école avec son copain René. Dans la rue, il voit sa mère dans les bras de son amant. Le lendemain, il doit retourner à l'école sans mot d'excuse, et s'en tire en disant à l'instituteur que sa mère est morte. Mais le mensonge est découvert.
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They should make a new version of this film. 1952 is pretty old, and old movies just had to have that annoying loud background music in every scene - which I hate - to "set" the emotion/mood.
Francoise!!!! el mundo te extrañaaaa, maestro, amigo, ser humano sin tiempo. En Buenos Aires veíamos tus películas como quien descubría ángeles en medio de la penumbra.
Jean-Pierre Léaud is exceptional in this film - his spontaneity and the rebel in him, takes an amazing form in this film. My heart went out to him in the scene when his parents justify his presence. Léaud as Doinel never emotionalizes the character unless pushed to, and this is why the film is a classic!
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
En Buenos Aires veíamos tus películas como quien descubría ángeles en medio de la penumbra.