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Giulio Neri - La Calunnia - Il barbieri di Siviglia - Rossini

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Uploaded by on Feb 5, 2009

Giulio Neri (May 21, 1909, Siena - April 21, 1958, Rome). Another huge, cavernous chiaroscuro voice. Born in Siena which is the same city Bastianini was born and raised in. A truly beautiful place!!

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Uploader Comments (MrCafiero)

  • Exactly. When I understood it my voice started to come out and I don't have to think about it anymore. :-)

    If vowel e is clear (not between e and o, a mixture) then the true color of the voice comes out.

  • That is right. The balance of darkness (scuro which is falsetto and larynx lowering) and "brightness" (chiaro which is squillante/core from lower register) and the vowel being clear gives the truest sound. So many are woofy or overly bright or have modified vowels. ICK!LOL!

  • Tito Schipa says: You should sing like you talk. And I learned that if I make vowels (a,e, etc.) darker (so that it is not clear a or e), it makes the color of your voice and the voice come out as it is (naturally). That's what I have learned so far. :-) Maybe we could get opinion of maestro Shore about this matter?

  • The mastery comes in how to make the voice dark *AND* clear (chiaroscuro) and that comes through registration work. That includes keeping the vowels clear even though the sound is dark. The falsetto is dark as it has only a max of two overtones while the lower register gives the squillante. It is training to coordinate both while keeping fine vowels. Many sing "thick" which is dark in the way that distorts the vowel clarity and that is wrong. Or they sing woofy an that too is fake darkness.

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  • Quanto sei straordinario!!!!!TI AMO!!!!!!Mezzosoprano Nicoletta Ciliento.

  • ad oggi imbattuto!!

  • ......mostruoso.......

    Assolutamente una dalle 3 "calunnie" piu belle!

    Occhio alla tonalita....... Non è in Do......

  • @linguine99

    I like the period after the "Holy"...much more effective than the seamless Holy Crap lol

  • Mamma mia....GRANDE !!!

  • Immortale !

  • different from Neri here, I mean. Sorry ;)

  • I agree that this is overly simplified, and singing is not like speaking. The shape of your vowels depends on your placement, register, etc. Schipa had a tiny voice, never stressed his instrument, had a short top and above the passaggio he screams: completely different from Mardones. He was one of the most refined singers I heard but is not an example of perfect emission in some senses.

  • I'd like to mention that this darkest, heaviest of basses is singing the aria at the original pitch, a semitone HIGHER than is sung today. Holy. Crap.

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