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Welcome to my latest instructional course, Slow Blues Power: Mastering Slow Blues Soloing and Improvisation. Over the course of these lessons Ill be covering a variety of soloing styles and techniques within the context of eight different key centers, presented within a variety of different feels, grooves and forms, from standard 12-bar blues forms to the more unusual eight-bar blues forms. Also, Ill be covering the standard I-IV-V (one-four-five) type of blues progression as well as I-VI-II-V (one-six-two-five) progressions, and some other progressions as well.
Each of the following soloing examples address a wide spectrum of both right-and-left-hand articulation techniques, phrasing concepts and stylistic signatures that are found in the playing of all of the true blues guitar masters, such as Albert King, B.B. King, T-Bone Walker, Buddy Guy, and Freddie King, to the blues/rock virtuosos like Jimi Hendrix, Duane Allman, Johnny Winter, Jeff Beck, Eric Clapton, Stevie Ray Vaughan and many others.
he means slow as in tempo
GuruRobertDavies 2 weeks ago
Haha, the biggest problem is that the guitar is way too loud in the mix, a lot of "slow blues" is played "fast", but yeah i get people's confusion.
Reaper1984 2 months ago
That done is disappointing!! and slow?
bluesdog88 5 months ago
not powerful at all
fatalbert51888 7 months ago
thats not really slow...
you are hitting a looooooooot of notes XD
romankok 11 months ago
Too much fucking delay
skulchin 11 months ago 2
Drop the corny digital echo, Andy!
HumblePie76 1 year ago
meh, not a fan
Blackmark456 1 year ago