Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Nimbus (2011) for Chamber Orchestra, by Paul Hembree

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
87 views
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Dec 16, 2011

http://www.paulhembree.com
Nimbus (2011) for Chamber Orchestra, by Paul Hembree

November 16th, 2011
Conrad Prebys Concert Hall
University of California, San Diego

Performed by Palimpsest

Flute: Berglind Tómasdóttir
Oboe: Sarah Skuster
Clarinet: Curt Miller
Bassoon: David Savage
Horn: Alice Christ
Trumpet: Calvin Price
Trombone: Eric Star
Piano: William Fried
Percussion: Steve Solook
Violin: Batya MacAdam-Somer, Kate Hatmaker
Viola: Gareth Zehngut
Cello: Ashley Walters
Bass: Scott Worthington

http://musicweb.ucsd.edu/concerts/concert_programs/2011-12/Fall%202011/201111...

Program Notes:

Physical processes and the natural sublime reliably serve as stimulants when I compose, and I suppose that these sources of inspiration are rather traditional in most of the arts. Remnants of this tradition may seem banal now; for instance, the landscape paintings of the Hudson River School are respectable, but do not strike us with the same power they once did.

However, I think this tradition is periodically refreshed with new windows provided by science into the operation of natural phenomena. Examples of this are Gerhard Richter's oppressive mural Strontium (2005), or any of Iannis Xenakis's works with arborescences, such as Lichens (1983) or Jonchaies (1977). For me, these new windows are often merely evocative, but sometimes the revealed physical processes suggest specific compositional techniques.

Nimbus has a dual meaning; in meteorological literature it is a type of precipitation-bearing cloud, but in religious iconography it is another word for a halo or aureole, usually surrounding a holy figure or deity. One can easily imagine a combination of these definitions. Many of the textures in this piece are composed of vaporous filaments with a glowing, leading edge. Juxtaposed masses of these filaments are buffeted along at differ- ent speeds, as are the constituent members within each mass. Diverging masses dissipate atmospherically, while the tumult of converging masses leads toward an incisive outburst.

  • likes, 0 dislikes

Link to this comment:

Share to:
see all

All Comments (2)

Sign In or Sign Up now to post a comment!
  • Fantastic!

  • Best upload yet!!! Perfectly balanced pitch and rhythmic elements. Creates a palpable atmosphere.

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more