Raï (English pronunciation: /ˈraɪ/; Arabic: راي) is a form of folk music that originated in Oran, Algeria from Bedouin shepherds, mixed with Spanish, French, African and Arabic musical forms, which dates back to the 1930s.
Singers of raï are called cheb (shabab, young) as opposed to sheikh (shaykh, old), the name given to Chaabi singers. The tradition arose in cities like Oran, Oujda, Relizane and Mostaganem, primarily among the poor. Traditionally sung by men, at the turn of the 20th century, female singers became common. The lyrics of raï have concerned social issues, such as disease and the policing of European colonies, that affected native populations
Raï is a music style that originated in Algeria in the 1930s. It appealed to young people who sought to modernize the traditional Islamic values and attitudes. Regional, secular, and religious drum patterns, melodies, and instruments were blended with Western electric instrumentation.
Oran, a seaport in Western Algeria, was invaded by the Spanish in the 16th century; Spanish troops kept women there to entertain the troops, and the city has retained a reputation for hedonism ever since. In the early 20th century, Oran was divided into Jewish, French, Spanish, and Arab quarters. By independence in 1962, the Jewish quarter (known as the Derb), was home to musicians like Reinette L'Oranaise, Saoud L'Oranais and Larbi Bensari. Sidi el Houari was home to Spanish fishermen and many refugees from Spain who arrived after 1939. These two quarters had active music scenes,[2] and the French inhabitants of the city went to the Jewish and Spanish areas to examine the music. The Arabs of Oran were known for al-andalous, a classical style of music imported from Southern Spain after 1492. Hawzi classical music was popular during this time, and female singers of the genre included Cheikha Tetma, Fadila D'zirya and Myriam Fekkai. Another common musical genre was bedoui (or gharbi), which originated from Bedouin] chants. Bedoui consisted of Melhun poetry being sung with accompaniment from [[guellal drums and gaspa Flutes. Bedoui was sung by male singers, known as cheikhs, who were dressed in long, white jellabas and turbans. Lyrics came from the poetry of people such as Mestfa ben Brahim and Zenagui Bouhafs. Performers of bedoui included Cheikh Hamada, Cheikh Mohammed Senoussi, Cheikh Madani, Cheikh Hachemi Bensmir and Cheikh Khaldi. Senoussi was the first to have had recorded the music in 1906.
French colonization of Algeria changed the organization of society, producing a class of poor, uneducated urban men and women. Bedoui singers mostly collaborated with the French colonizers, though one exception from such collaboration was Cheikh Hamada.[3] The problems of survival in a life of poverty were the domain of street musicians who sang bar-songs called zendanis. A common characteristic of these songs included exclamations of the word "raï!" and variations thereof. The word "rai" implies that an opinion is being expressed.
Leïla Bekti une bombe!:p
Knkywarrior 1 month ago
@Knkywarrior a quelle minute le photo de leila bekti ?? merci
djsashavaladi 1 month ago
Salam Djsashavaladi,good music,I love that,and nice picture,and nice picture from you and your lady,thank you.
kasper8840 2 months ago
@kasper8840 Thanks kasper for your lovely comment :o))
djsashavaladi 2 months ago