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Taj Mahal - Senor Blues

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Uploaded by on Sep 9, 2008

1997, Horace Silver's classic, from the Grammy winning 'Senor Blues'

Taj Mahal: Vocal, Dobro
Johnny Lee Schell: Guitar
Jon Cleary: Piano
Larry Fulcher: Bass
Tony Braunagel: Drums

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Music

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Uploader Comments (simonj50)

  • I was wrong. It is Mick Weaver - Hammond B-3 organ.

  • You're right. Mick Weaver is credited on the album.

Top Comments

  • Great song - you can't go wrong with any Horace Silver composition, it's one of the laws of the universe! Great performance by a genuine genius in world where that compliment is too freely given. Taj is not only abundantly talented, he is an amazing innovator too. And big respect to the creator of this video!

  • haha some real coool cats

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All Comments (53)

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  • I agree that Taj has never gotten the acclaim he deserves. He is the BEST! I saw him live at Jazz Alley in Seattle last Thursday night (packed house)...it was AWESOME!

  • Does anyone know who the Horn Section is?

  • @blindrunkwilly

    aka Wynder K Frogg

  • you aint no street walker mama, honey but I sure love the way you strut your stuff!

  • @MrAudioProducer The horn section he uses are called The Texacali Horns, Joe Sublett on Sax and Darrell Leonard on Trumpet

  • Senor Blues is what they call him, way donw Mexicali way

    Senoritas fallin' for him, with the hope that he will stay

    By the time that they love him, Senor Blues done gone away

    Well he's tall and good lookin' and he always knows just what to say

    Yes he's tall and good lookin' and he always knows just what to say

    By the time that they love him, Senor Blues done gone away

  • @RuiAzul And now im confused

  • @YouCube7

    Half of Jazz compositions are Blues based. Cool Blues - Parker. Straight, No Chaser - Monk. Bag's Groove-Milt Jackson, they're all Blues... but with swing and walkin' bass. Rock'n Roll are also Blues compositions . Only poor in harmonic arrangement.

  • Funny. It's really a Blues, in 12/8, in Eb minor 6. If you count, It goes trought all the changes of the Blues. Only difference is thet Horace Silver uses chord substitutions instead of going to the typical fourth on 9th bar (remember, this is a 24 bar blues, the double of a normal one) he goes B 9 with #11, and the turnback is Bb7 followed by A13 and Eb m6 (again-the root chord. These are the only 4 chords in this Blues. Because Blues can be played in many ways. All Blues, from Miles,is a 6/8.

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