Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Ruth Welting - Deh vieni, non tardar

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
23,817
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Nov 1, 2007

Ruth Welting - Deh vieni, non tardar - Le Nozze di Figaro - 1984

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 8 dislikes

Link to this comment:

Share to:

Uploader Comments (coloraturafan)

  • What is the source of this recording?

  • a 1984 Hamiton Canada TV broadcast

Top Comments

  • Ergh. For me, this just does not compare to the Mirella Freni or Lucia Popp recordings which are also on YouTube. I feel like Welting straightens out her voice on some of these pianissimo notes, which is not to my personal taste for this aria...

  • I don't think she intentionally 'straightens out her voice', I think it is just the nature of her voice to be less full in some places. She has a very different voice to the singers you mention and comparing them is like comparing apples and pears.

see all

All Comments (18)

Sign In or Sign Up now to post a comment!
  • This is a very high lyric coloratura or even just coloratura singing a part more commonly associated with a soubrette or a lyric, someone with a big middle voice. It's a fiercesomley difficult aria coming late in the opera, and tires even those sopranos with a big middle. Welting is successful at it because she had a great technique and was smart as God, and strong as hell. I'd rather hear the role sung by a larger voice, but she's so damn good I'd surrender totally if I were there.

  • @franimalistic I agree.. What do you think about Damrau's version? I like that one very much :)

  • Hmm she doesn't really sing like an opera singer...

  • i wish that she would really let go on that high a rather than going into straight tone and piano.

  • This is such a great rendition... And the transition between head tone and chest tone is so seamless it's amazing

  • This is great technique; a high coloratura singing an aria with an extremely low tessitura and not using any tricks to negotiate.

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more