Violin Lesson #50; Sautille' Bowing Pt. 2

Visit www.toddehle.com - This is the second way to try this stroke (see pt. 1 first), from the teaching of Paul Rolland (as taught to me by Richard Fuchs, Professor at the University of Northern Colorado).

Category:

Music

Tags:

• violin
• technique
• todd
• ehle
• richard
• fuchs
• paul
• rolland

[anirulfluri]

you are sooooooo awesome professor!!! I'm now studying music and my biggest problem is the technic! but with your videos and my violin teacher it's getting better ! :) I love the way you are teaching, and it's awesome that you are doing this for free on youtube !! But now you have so many fans, that it's very nice :) you can be really proud of you! thanks

[professorV]

Hi anirulfluri, Your message is very kind. Thanks for posting it and all the best to you!

[JustinK078]

is your wrist allowed to move at all.  especially at speeds like "Czardas"?

[professorV]

Hi Justin, in this type there is very little wrist movement, just the smallest amount. In the other type I teach, it's all about wrist and fingers (You can view parts 1 and 3 for that info). If you can do both types, you can choose which one is easiest for you at faster tempos. There is no rule. Many people only do one or the other.

[henry89it]

hi professor V. I would ask you how can I study the original bowing of caprice 5 by paganini.

[professorV]

Hi Henry, I couldn't play it with the original bowing, I did it as sautille, as do most.  See Milstein or Mintz here on youtube to see sautille. Markov has an interesting bowing, but it's not the original either.

[TheComedydude1]

@professorV could you please tell me if the bowing for the tarantella from sarasate's introduction and tarantella op 43 is sautille or spiccato, and how to attempt learning it? Thank you.

[omarov3penguin]

thanks!

[outputresistance]

Thank you for this video! It works well for me when I play fast repetitive notes, but I fail to apply it to - say - a Mozart violin concerto (specifically: KV 219, 1st mvt.). My tempo (~110) is so slow that the bow doesn't bounce by itself very well (and my finger flexibility is far worse than at a higher tempo), but it's still too fast for doing the whole-arm spiccato that you describe in lesson #29 (it would look unnatural). What's the right technique to apply?

[woodmaster413]

dude, ur awesome!!!

[shitface157]

OMG! This is good for vivaldi's summer presto

[TheJustinOo]

the name from my brother is richard fuchs

[whoryhobopowers]

My teachers been helping me with this stroke.

I haven't had a lesson in a while because of scheduling issues, and these videos were very helpful. It's such a fun stroke to play. :D

However, could you possibly help me out with string crossings? I have such a hard time crossing while doing it. my bow just kinda messes up on me.

[mingyfrog]

man i really suck. can u send me a video or detailed tips on how to do this?