【Giuseppe Sinopoli】Verdi:Aida /Gloria all'Egitto, ad Iside/Glory to Egypt, to Isis!

Gloria all'Egitto, ad Iside
che il sacro suol protegge!
Al Re che il Delta regge
inni festosi alziam!
Gloria! Gloria! Gloria!
Gloria al Re! (ecc.)

S'intrecci il loto al lauro
sul crin dei vincitori!
Nembo gentil di fiori
stenda sull'armi un vel.
Danziam, fanciulle egizie,
le mistiche carole,
come d'intorno al sole
danzano gli astri in ciel!

Della vittoria aglia arbitri
supremi il guardo ergete;
grazie agli dei rendete
nel fortunato di.

Come d'intorno al sole
danzano gli astri in ciel!
grazie agli dei rendete
nel fortunato di.

Vieni, o guerriero vindice,
vieni a gioir con noi;
sul passo degli eroi
i lauri, i fior versiam!
Gloria al guerrier, gloria!
Gloria all'Egitto, gloria!

Agli arbitri supremi
il guardo ergete;
grazie agli dei rendete
nel fortunato di.

[Scene 2: The grand gate of the city of Thebes]
Radames returns victorious and the troops march into the city (Chorus, Ramfis: Gloria all'Egitto, ad Iside / "Glory to Egypt, to Isis!"). The Egyptian king decrees that on this day the triumphant Radames may have anything he wishes. The Ethiopian captives are rounded up and Amonasro appears among them. Aida immediately rushes to her father, but their true identities are still unknown to the Egyptians, save for the fact that they are father and daughter. Amonasro declares that the Ethiopian king (he himself) has been slain in battle. Aida, Amonasro and the captured Ethiopians plead with the Egyptian King for mercy, but the Egyptians call for their death (Aida, Amneris, Radames, The King, Amonasro, chorus: Che veggo! .. Egli? .. Mio padre! .. Anch'io pugnai / "What do I see?.. Is it he? My father?").

As his reward from the King, Radames pleads with him to spare the lives of the prisoners and to set them free. Gratefully, the King of Egypt declares Radames to be his successor and to be his daughter's betrothed (Aida, Amneris, Radames, The King, Amonasro, chorus: O Re: pei sacri Numi! .. Gloria all'Egitto / "O King, by the sacred gods..."). Aida and Amonasro remain as hostages to ensure that the Ethiopians do not avenge their defeat.


第2場
最も有名な場面である。―ラダメスは軍勢を率いて凱旋する。彼はエチオピア人捕虜の釈­放を国王に願う。捕虜の中には身分を隠したアモナズロもいたので、アイーダはつい「­お­父さん」と言ってしまうが、アモナズロは「国王は戦死し、いまや我々は無力」と偽りを­述べ、彼の身分は発覚せずにすむ。ラムフィスはアモナズロを人質として残すこと­を条件­に捕虜釈放に同意、国王はラダメスに娘アムネリスを与え、次代国王にも指名する。勝ち­誇るアムネリス、絶望に沈むアイーダ、復讐戦を画策するアモナズロなどの歌­が、エジプ­トの栄光を讃える大合唱と共に展開する。

「凱旋行進曲」
本作第2幕第2場で演奏される「凱旋行進曲」は、本作を代表する曲のなかでも独立して­聞かれることが多いものである。 演奏においても劇的効果をあげるためこの部分はトランペットは「アイーダトランペット­」という独自のトランペットで舞台上で演奏される。

この曲はトランペットのファンファーレと弦楽の掛け合いで始まり、それに混声合唱が加­わり、曲調は一つのピークを迎える。その後、女声、男声の合唱がたたみかけるように­歌­われ主題の導入を迎える。 主題1はトランペットの演奏でたんたんと行われ主題2が来るが、その後2度上に移調し­た上に伴奏が一層派手につき豪華になる。

Copyright © Music Publishing Rights Collecting Society All rights reserved.

※権利者様：削除の必要がありましたら、お手数ですがコメントお願いします。
To rightful claimant ： if I have to delete it, please comment.

This animation is reproduction from ニコニコ動画(nicovideo).　
「ヴェルディ 歌劇「アイーダ」 より 」
This was made by karaberu.
The original place of this animation　→　http://www.nicovideo.jp/watch/sm3459947


ニコニコ投稿者コメント ：

凱旋行進曲～バレエ音楽～合唱「来たれ、勝利の戦士よ」 ジョゼッペ・シノーポリ指揮 ドレスデン・シュターツカペレ ドレスデン・ゼンパー・オペラ合唱団 mylist/6523670

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[zyurian7]

コレ合唱やりマス☆

[sweetypie000]

so this isn't the Aida he was conducting that he died during then

RIP Giuseppe Sinopoli

[TheVoiceOfReason93]

This would make awesome nationalistic music.

[simplygirl9]

that`s called the real music!!!;) 

[Higbby]

bravo bravoo !

[biyorkman]

seoul

[refulga]

@jimyperez Dresden

[jimyperez]

where did the concert took place? It seems like a beautiful city!

[67pamina]

grande sinopoli..

[violettamimi1]

BRAVOOOOOOOOOOOOOOOOOO!