The Velvet Underground - All Tomorrow's Parties

Get the latest Flash player

blestemp
June 08, 2008

The Velvet Underground and Nico Studio album by The Velvet Underground & Nico The Velvet Underground and Nico is the debut album by experimental rock band The Velvet Underground and vocal colla...

The Velvet Underground and Nico

Studio album by The Velvet Underground & Nico

The Velvet Underground and Nico is the debut album by experimental rock band The Velvet Underground and vocal collaborator Nico. It was originally released in March 1967 by Verve Records, a subsidiary of MGM Records.

Recorded in 1966 during Andy Warhol's Exploding Plastic Inevitable multimedia event tour, The Velvet Underground and Nico would gain notoriety for its experimentalist performance sensibilities, as well as its focus on controversial subject matter in songs such as "Heroin".

Though largely ignored upon its release, it has since become one of the most influential and critically lauded rock albums in history, appearing as #13 on Rolling Stone magazine's list of the 500 greatest albums of all time[1] as well as being added to the 2006 National Recording Registry by the Librarian of Congress.

The Velvet Underground and Nico is sometimes referred to as the "banana album" as it features a Warhol print of a banana on the cover. Early copies of the album invited the owner to "Peel slowly and see"; peeling back the banana skin revealed a flesh-colored banana underneath. A special machine was needed to manufacture these covers (one of the causes of the album's delayed release), but MGM paid for costs figuring that any ties to Warhol would boost sales of the album.[6][3]

On the 1996 CD reissue, the banana image is on the front cover while the image of the peeled banana is on the inside of the jewel case, beneath the CD itself.

Much of the album's sound was conceived by John Cale, who stressed the experimental qualities of the band. Cale, who was influenced greatly by his work with La Monte Young, John Cage and the early Fluxus movement, encouraged the use of alternative ways of producing sound in music. Cale thought his sensibilities meshed well with Lou Reed's, who was already experimenting with alternative tunings. For instance, Reed had "invented" the ostrich guitar tuning for a song he wrote called "The Ostrich" for the short-lived band The Primitives. Ostrich guitar tuning consists of all strings being tuned to the same note. The method was utilized on songs "Venus in Furs" and "All Tomorrow's Parties". Often, the guitars were also tuned down a whole step, which produced a lower, fuller sound that Cale called "sexy".

Track History: "All Tomorrow's Parties" is a song by The Velvet Underground, written by Lou Reed and released on the group's 1967 debut album, The Velvet Underground and Nico.

Inspiration for the song came from Reed's observation of the Warhol clique; according to Reed, the song is "a very apt description of certain people at the Factory at the time. ... I watched Andy. I watched Andy watching everybody. I would hear people say the most astonishing things, the funniest things, the saddest things."[1] The song was Andy Warhol's favorite by The Velvet Underground.[2]

The song has lent its name to an avant-garde music festival, a William Gibson novel, an issue of The Invisibles by Grant Morrison and a Spanish-language novel titled Todas las fiestas de mañana by Mexican writer and journalist Miguel Cane

Lyrics: And what costume shall the poor girl wear
To all tomorrow's parties
A hand-me-down dress from who knows where
To all tomorrow's parties

And where will she go and what shall she do
When midnight comes around
She'll turn once more to Sunday's clown
And cry behind the door

And what costume shall the poor girl wear
To all tomorrow's parties
Why silks and linens of yesterday's gowns
To all tomorrow's parties

And what will she do with Thursday's rags
When Monday comes around
She'll turn once more to Sunday's clown
And cry behind the door

And what costume shall the poor girl wear
To all tomorrow's parties
For Thursday's child is Sunday's clown
For whom none will go mourning

A blackened shroud, a hand-me-down gown
Of rags and silks, a costume
Fit for one who sits and cries
For all tomorrow's parties

Category: Music

Tags:

The Velvet Underground 1966 1967 Andy Warhol Lou Reed Banana Album Nico Rock

More From: blestemp

Play All Stop Autoplaying | Play Next

QuickList(0)

Clear | Save

Would you like to comment?

Join YouTube for a free account, or sign in if you are already a member.

YouTube	Programs	Help	Policy	Discover
Contact Us	Advertising	Get Help	Privacy Policy	YouTube on Your Phone
YouTube Store	Developers	YouTube Handbook	Terms of Service	YouTube on Your Site
Press Room	Partnerships	Community Help Forums	Copyright Notices	YouTube on Your TV
Business Blog	Content Management	Safety Center	Community Guidelines	YouTube RSS Feeds
YouTube Blog		Creator's Corner		TestTube

Add YouTube to your Google homepage

Current Location: Brazil Show locations

The Velvet Underground - All Tomorrow's Parties

More From: blestemp

QuickList(0)

Featured Videos

Statistics & Data

Video Responses (0)

Text Comments (29) Options

Would you like to comment?

The Velvet Underground - All Tomorrow's Parties

More From: blestemp

QuickList(0)

Related Videos

Featured Videos

Statistics & Data

Video Responses (0)

Text Comments (29) Options

Would you like to comment?