Introduction to Maqam Nahawand for Tilawah Al-Quran

Tarannum Nahawand and its branches.. Nahawand, like the western Dorian mode has theoretically the same intervals in its ascending and its descending form, furthermore; its lower and upper tetrachord is identical in their arrangement of whole and half steps. In practice, musicians often employ a raised seventh in order to pull back to the tonic, this is most common in the lower octave. As to the character and associated mood of this mode, there seems to be some minor inconsistencies in the way it is described. Powers writes that "Nahawand is a straightforward and sweet Maqam" (Powers, 2005) whereas Badawi states "Nahawand produces extreme changes in emotion, it is the Maqam of feelings" (Badawi, 2003). It is as if to infer that one writer sees Nahawand as uncomplicated and somewhat plain and the other sees it as passionate and vibrant. In this instance it is important to keep in mind that varying views of musicologists are equally as frequent in Arabic music as it is in other cultures.

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[Izzatmashoori]

@pullo97 watch my video on the tarannum

[pullo97]

Assalaamu alaikum akhil-kareem,this is in ideed wonderful I want to learn these maqaamaat,any help?