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I am very confused with this Oratorio performance. There is an another version out there with an entirely different melodic passages. That version by conductor Rinaldo Allessandrini sounds slower version of the melodic passage taken out from HWV 6 Aggripinas first area for Ottone. Whilst this version HWV46A by Emmanuelle Haim sound like the collections of an unfinished Sonate di Chiesa per Violini e tiorba based on similar passage lines taken from Corelli Opus5 which reaches beyound E
This version HWV46A by Emmanuelle Haim sound like the collections of an unfinished Sonate di Chiesa per Violini e tiorba based on similar passage lines taken from Corelli Opus5 which reaches beyound E altissima which makes the passage very dramatic and sad. If anyone knew what went on the melodic passage, please kindly respond.
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for me she is the BEST by far!