Jean Dubuffet

Dubuffet was born in Le Havre. He moved to Paris in 1918 to study painting at the Académie Julian, but after six months he left the Académie to study independently. In 1924, doubting the value of art, he stopped painting and took over his father's business selling wine. He took up painting again in the 1930s, but again stopped, only turning to art for good in 1942. His first solo show came in 1944. He approached the surrealist group in 1948, then the College of Pataphysique in 1954.

Influenced by Hans Prinzhorn's book Artistry of the Mentally Ill, Dubuffet coined the term Art Brut (outsider art) for art produced by non-professionals working outside aesthetic norms, such as art by mental patients, prisoners, and children. He amassed his own collection of such art, including artists such as Aloïse Corbaz and Adolf Wölfli. The collection is now housed at the Musée de l'Art Brut in Lausanne, Switzerland. Dubuffet sought to create an art as free from intellectual concerns as Art Brut, and his work often appears primitive and child-like.

Many of Dubuffet's works are painted in oil paint using an impasto thickened by materials such as sand, tar and straw, giving the work an unusually textured surface. From 1962 he produced a series of works in which he limited himself to the colours red, white, black, and blue. Towards the end of the 1960s he turned increasingly to sculpture, producing works in polystyrene which he then painted with vinyl paint.

In late 1960-1961, Dubuffet began experimenting with music and sound and made several recordings with the Danish painter Asger Jorn.

In 1978 Dubuffet collaborated with American composer and musician Jasun Martz to create the record album artwork for Martz's avant-garde symphony entitled The Pillory. The much written about drawing has been reproduced internationally in three different editions on tens-of-thousands of record albums and compact discs. A detail of the drawing is also featured on Martz's second symphony (2005), The Pillory/The Battle, performed by The Intercontinental Philharmonic Orchestra and Royal Choir.

" Scratched and trowelled in their mudlike pigment, their outlines scrawled in a sophisticated parody of the hasty gential urgency of street graffiti, Dubuffet's cruel portraits of French intellectuals and writers in the 1940s go beyond caricature; they are pathetic monsters. "

Robert Hughes
One of Dubuffet's later works was Monument With Standing Beast (1984). Dubuffet died in Paris in 1985. The Fondation Jean Dubuffet collects and exhibits his work.
http://en.wikipedia.org/wiki/Jean_Dubuffet

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[JonSilveus]

Well done maestros.

[magendansable]

het spel met het innerlijk.niets staat dichter bij de kennis dan het vermoeden van de innerlijke waarden.kinderspel is de grootste onderscheiding op beeldend gebied.de geest wordt niet gedurend tegengewerkt door het vermeend weten.dit spel zegt ...hoe kom ik dichter bij het menselijke,dichter bij het universeel geweten.jacques magendans.

[LovePoem1000]

Say what you want about the naive attributes of the style, Dubuffet created a unique visual language that is immediately recognizable and disarmingly expressive. One may marvel at the range of his textures and subject matter, in which one can see cross-references to Klee, Klimt, Leger, and antecedents to other artists, including total frauds like Twombly. Dubuffet was an original!

[1594615]

The drawings look like they were taken from a kindergarten.

[vuhldis]

too bad he's not a real self taught outsider - he just admired them and based his art solely on it .

[TheBaskijat]

THE SONG, PLEASE?

koja je ovo kompozicija?

[mebeastee]

Exquisite!

[Prublixa]

great slides - who did the music thats good too?

[corsenmonk]

Great video Thanx