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LA Scoring Strings - Auto Arranger Teaser - Audiobro

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Uploaded by on May 25, 2011

This video teaser gives you an introduction to the Auto Arranger — a feature exclusive to LA Scoring Strings that allows you to play chords and polyphonic lines and phrases... all the while splitting your chords into divisi sections or different instruments sections (if you prefer) and maintaining an accurate player count... as opposed to having the typical cumulative player count on chords as with other stringed sample libraries. This can be a huge time-saver as well as a VERY inspirational composing tool. Listen to how easily Auto Arranger tracks the voices and splits them into divisi parts while retaining all the legato/portamento/glissando articulations.

In this demo... all the divisi sections were on 1 midi channel to demonstrate what can be achieved in real-time on 1 midi track.

More information can be found at http://www.audiobro.com

Audiobro - Home Of LA Scoring Strings - A New Benchmark For Expressive Strings

LA Scoring Strings (LASS) brings a whole new level of expressiveness, realism, and real-time playability to sampled strings.

At the heart of its revolutionary sound are Real Legato performance sample patches and a unique "layered ensemble" approach. These ensembles were all recorded individually in a large film scoring studio. Because they're made up of different players (avoiding the dreaded "same player" sound), they combine seamlessly to produce entirely cohesive small, medium, or large sections with the right divisi ratios.

LASS also features solo instruments performed by the section leaders. Rather than sounding like "guest soloists," these instruments sound like the first chair players they actually are, blending perfectly with the sections they come from.

The players are recorded in position on the scoring stage and mixed in the traditional orchestral seating perspective, making it simple to get a magnificent string mix out of the box. Meanwhile we took the utmost care to ensure that the instruments can be panned anywhere with virtually no phasing problems should you need to do that.

And to make it easy to get just the right sound, all LASS patches and programming are consistent from the first chair to the full mix. If a part sounds right using the first chair patch, the same sequence will sound right with the full ensemble — no MIDI reprogramming required.

The result is unprecedented control over dynamics, performance, and section size.

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