IL FAVOLOSO MARIO DEL MONACO PART6

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Uploaded by on Jun 2, 2007

;)

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Music

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  • ma tutte minchiate che state a dire. non avete capito un bel cazzo

  • I heard an interesting comment made by Corelli during his interviews with Zucker. When asked about MDM's singing being so big, he explained that in the late 30's and early 40's, the opera world was still dominated by Gigli. And MDM did NOT have a huge voice early on. But MDMs voice grew and he found his niche in singing in this super-heroic style, which was the one thing Gigli could NOT do. At first people dismissed him, but over time his approach took root with the public.

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  • Really quirky and really knew who he was .... was ..... Mario....Mario Del Monaco....

  • EL REY DE LOS TENORES.QUE VOZ IMPRESIONANTE!! OTELLO ES MARIO DEL MONACO

  • Tronfio, plateale, declamatorio di se' stesso, in una sola parola ... RIDICOLO !

  • Non credo siano tanto distanti, il messaggio di Verdi dal messaggio di Del Monaco... io penso che Verdi avesse approvato il canto e l'interpretrazione data da Del Monaco in Otello, in quanto Verdi stesso disse di servire prima il poeta e dopo il compositore... a mio parere MDM serve molto bene il poeta, un pò meno bene il compositore, ma sempre con rispetto della partitura... saluti

  • That being said, MDM moved people with his voice and his acting, and that is something we don't see often on the operatic stage. Singers seem to always play it safe and I think that is BORING! On a side note, Gigli didn't always have impeccable diction and technique.

  • All the eccentricities he did outside the stage can be considered questionable, but what he did vocally and dramatically are not to be questioned. MDM sang with HIS voice! There is no validity in comparing him to Gigli. Moreover, you say he can't sing piano, which is a relative concept. When I hear MDM in this youtube clip I hear expressions and at times piano singing. CzarDodon, no one has ever said the tradition of Italian singing belongs to MDM or that all singers need to be compared to him.

  • hey its GRAND OPERA its more joyous and more  painful than real life, oh and its bigger too.

  • Thrilling, DelMonaco was more thrilling than anything well will hear in our lifetime.All of this chatter is of so little value, these recording will remind us in the years to come, what thrills and excitement are possible from the dramatic tenor.

  • Show me a tenor that is not selfabsorbed.

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