ICONS_Ziya Azazi_Su Günes Mihladiz_Serge Adam_Opera Nice_2010/11_extract2

ICONS Opéra de Nice, 10/11/2010, Extract 2 (total time : 60') : choreography & dance : Ziya Azazi, dance : Su Günes Mihladiz, music by Johann-Sebastian Bach cantate BWV 147 (Jesu joy of man's desiring), electronic real time process in quadriphony, trumpet : Serge Adam, light design : Lutz Deppe, costume design : Ishchiko, dramaturgy : Isin Onol, film, realisation : Pierre Goetschel.
contact diffusion : Jean-Francois Berger, Artmoderne : jfbergercontact@wanadoo.fr
Ziya Azazi has been melting occidental contemporary choreography with oriental classical and soufi ritual danse. Like a turner dervish intending to reach physical and intelectual limits, Ziya Azazi transforms the rotation in a subtile choreography in which each movement bring the danser to his own metamorphosis.
Serge Adam demonstrates the same comittment in his relationship with his instrument. Atypical trumpet player, sound experimentator, he is curious the other artistic disciplines and goes beyond the limits of jazz to explore improvisation and electronic music.
The meeting of two singular artists, leading the same quest : the centre gravity of their own research which draws the choreographic movement and the instrumental gesture in the same vortex. One is rooted in the dilated time of soufis transe rituals, the other one in the suspended time of improvisation.

Category:

Music

Tags:

• ziya
• azazi
• serge
• adam
• dance
• danse
• electro
• jazz
• performance
• dervish
• trumpet
• günes
• mihladiz
• artmoderne
• lutz
• deppe
• Ishchiko
• isin
• onol
• istanbul
• turkish
• opera
• nice
• Turkey
• Ottoman Empire
• bach
• jean-sebastien bach
• Classical
• Music
• Johann Sebastian Bach
• Concerto
• jesus que ma joie demeure
• Jesu joy of man's desiring
• cantate
• BWV147
• Jesus