Uploaded by professorV on Mar 3, 2008
**Visit www.toddehle.com** - Wohlfahrt Op. 45, #40.
Uploader Comments (professorV)
Top Comments
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You are such a good teacher. I really envy your students. =]
3 years ago 9
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It's very well explained I think, it could almost be the very first lesson for a student after learning how to hold bow and instrument :)
2 years ago 3
All Comments (44)
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I have a question of curious nature: are gettato and ricochet the same technique or is there a difference?
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wow, i got it on my first try after watching this! thanks!
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OMG! Thank you soooo much!!! i got it perfectly in 10 minutes (fast learner!!). You are amazing!!
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thank you!
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Greetings Professor Ehle! What order would you recommend the bow strokes to be taught in...? (after just regular straight bowing, of course)
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Fantastic lesson. Ricochet was killing me on the Mendelssohn E minor and the Intro & Rondo Cap. You're helping me figure it out!
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can you do 49-55? I REALLY need those. Especially 49.
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Thanks, this helps me out so much. I've been angsting over ricochet bowing forever, and this video is a gift!!
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This is great! This is how Roy taught me! We didnt do the etude but I learned it in Scene de Ballet
Grobanite122549 6 months ago
Hi and thanks, Grobanite122549! Give my best to Roy.
professorV 6 months ago
Could you tell me the difference between ricochet bowing and Bariolage bowing?
TidusJRStrife 1 year ago
Here is a description I copied from violinomline: 'Bariolage is a French term which means an “odd mixture of colors,” and directs the string player to achieve a contrast in tone colors by playing on different strings. An example of barriolage is when the same note is played, alternating between open strings and stopped strings, or by playing a repeated passage, oscillating between two, three, or four strings. Fingering is often used to indicate bariolage.'
professorV 1 year ago
yes! this is in there mine starts on an E on my A string. your starts on a B right?
violaplayer1995 4 years ago
Correct!
professorV 4 years ago