Song: The Smithsonian Institute Blues (Or the Big Dig) (12/15
Album: Lick My Decals Off, Baby (1970)
Artist: Captain Beefheart & His Magic Band
Lick My Decals Off, Baby (Straight, 1970), Beefheart is the sole composer. In a way this is his most intellectual work, because the album takes the traditional topics of blues, eroticism, freedom, trains and nostalgia, and sets them in a modern context of city alienation. Percussionist Artie Tripp (aka Ed Marimba), is added as a formidable complement to French, while Cotton is gone to play in Merrell Fankhauser's MU.
The sound is still fragmented in a myriad of surrealistic miniatures, employing celebrations of Dolphyesque clarinets (Japan In A Dish-plan), of convulsed false notes (Ballerin Plain), of street rallies (The Smithsonian Institute Blues), of absurd guitar solos (One Rose That I Mean). The best of his chamber jazz-blues is found in I Love You Big Dummy, with splendid confrontations between the pirouettes of the clarinet and the gargles of the voice, and in Flash Gordon's Ape, a revolting chaos of anti-rhythms, breath dissonances and free declamations. Beefheart reaches surrealistic heights in The Buggy Boogie Woogie, a meditation in muted tones. Ethnic cues peek through in Peon, a Mexican serenade, and from Woe-is-uh-me-bop and Lick My Decals Off, both with Caribbean flavors.
this song is way ahead of its time
enenemenene 3 weeks ago
"i don't make Music, I make MONSTERS" ...he said...
marcelpascottoable 5 months ago
sloaches humanoid sloaches
claymars 6 months ago
Ah, an artist like this comes along every fifty years or so.
Unfortunately I don't see anyone out there ready to replace him.
He had a gift and got as much of it to us as he could afford.
It came at a steep price and its going to take a couple hundred years for
it to sink in.
bbcart
bbcart1 1 year ago
dinoshore shoes...
pathtoyirah 2 years ago 2