How To EQ: Mixing Kick Drum and Your Bass (Part 2)

Hey everyone in today's part 2 tutorial I will be showing you how to mix/eq you kick and bass tracks together...

If you didn't see part 1 click here:

http://www.youtube.com/watch?v=1prxrpTYQck

To Download this session and look into the Logic session more closely click here:

http://www.box.com/s/530yh6bky8nrqrskx1uq

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Category:

Music

Tags:

• how
• to
• eq
• drum
• and
• bass
• part
• kick
• drums
• mixing
• pro
• techniques
• logic
• session
• included
• adam
• michael
• geller
• im
• music
• mogul

[MrDREWPARR]

***QUESTION PLEASE READ***

This was a very good tutorial, and I greatly appreciate you taking the time out to show this, however, I've always been taught to roll off the low end frequency of my kick so that it does not sound muddy in the mix. I noticed in this video you actually boost the low end which is quite the opposite. Can you give me a brief explanation as to why you chose to do it this way, the Kick was higher than the Bass to begin with? Thanks as always!!!

[Tsvetanof]

You just can copy/paste between the EQs and then work with dB only

[DannyPolDiaz]

@MrDREWPARR your ears are your best judge, really. You can leave the low frequencies on the kick alone if it works, you could use a high pass filter and roll some off, or you could boost it. The beautiful thing about mixing is that it's all a matter of personal preference with things like this. Some people like to compress everything, some like to eq more than compress. Lessons should be applied, of course, but in the end it's a matter of you enjoying the sound :)

[mbot48]

Does it make a difference if you EQ then compress?

[ElementzSR]

@dez5 But not as clear, post production will make it sound fuller and clear

[ElementzSR]

@MrDREWPARR Its whatever sounds sexier to your ear my man!

[ElementzSR]

Very nice technique, i would have personally left a little more low end on the bass guitar, i would have probably rolled off everything under 60 - 80hz like u were going to do at first, lost just hair of body, but very nice meshed together. I'm finding out more how important frequency cutting is and actually do more cuts then boosts now, and my finished product sounds much clearer. Nice vid!

[ArisMetal]

Nice tips but lower your voice man

[BluegillGreg]

Excellent again.

In a related vein, two blasts from the past: Hale Smith (beloved UConn Prof & great pianist with Dizzie Gillespie et al) always had the bass player & the drummer tightly grouped by the bass end of the piano so they could "duck" out of the way of each others harder hits. Same concept as Adam gives here, & very time-proven. In Seattle, Kearney Barton (early Hendrix, Wailers, etc) always tunes (think: "eq's") the bass drum Before recording so it anchors the mix. Again, sam

[tiggame23]

Thankyou once agian

[jjr0077]

Love it! Thank you so much.