Nino Ferrer - Mirza

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aleksander65
December 05, 2006

А famous French - Italian singer, actor and jazz musician of the 60s...
At the beginning of the 1960s, he worked for several years with American singer Nancy Holloway as her guitarist, continuing at the same time to write gospel-inspired songs which received only refusals from most of the record companies. Hearing Otis Redding, Sam Cooke and Sam and Dave for the first time was a musical revelation and transformed his writing style.

Although already spotted by the Barclay record label, he had to wait until 1963 to record his first release, "Pour oublier quon sest aimé". He was 29, whereas most of the young stars of the time were hardly 20. It was a four-track EP, written in a fairly classical vein, and did not sell well in France. However, one of the tracks, "C'est Irréparable", was a hit in some European countries, in Japan and even in the Middle East, where he did a week of concerts in Beirut. The song was picked up by Italian Mina as "Un anno d'amore", hitting #1 of the Italian singles chart.[1]

Having left Barclay for a small label, Bel Air, Nino was still unknown in France. In 1964, he started a gospel group, Reverend Nino and the Jubilees, but it broke up before recording anything worth being released. Nino went on to bring out several solo singles without success.

From "Mirza" to "Je veux être noir"

After so many lean years, the big break came unexpectedly in 1965 when Nino returned to Barclay, who gave him the chance to record his new material. After a few unsuccessful trials, a new artistic director, Richard Bennett, gave Nino free rein to record his compositions as he wanted.

And so Nino Ferrer recorded "Mirza", an effective cocktail of rhythm n blues and caustic lyrics. The song was immediately a huge hit. His record company called for more songs in the same vein. His records sold very well and overnight the young singer became an idol. Now the zany singer in vogue, he followed "Mirza" up with "Les Cornichons" and "Oh! Hé! Hein! Bon". Although he was now very popular, his success was founded on material with which he never felt really comfortable. Nevertheless, hit followed hit and he lived his new life as a star at breakneck rhythm. In 1966, he gave 195 live performances and made nearly thirty TV appearances. He soon grew tired of his deliberately blasé and provocative seducer image of which people compared to Jacques Dutronc...
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60s Nino Ferrer

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