A script for THE ILLUSIONIST was originally written by French comedy genius and cinema legend Jacques Tati as a love letter from a father to his daughter, but never produced. Sylvain Chomet, the Oscar-nominated and critically acclaimed creator of The Triplets of Belleville, adapted the script and brought it to life in his distinctive hand-drawn animated style.
The Illusionist is one of a dying breed of stage entertainers. With emerging rock stars stealing his thunder in the late 1950s, he is forced to accept increasingly obscure assignments in fringe theatres, at garden parties and in bars and cafés. Then, while performing in a village pub off the west coast of Scotland, he encounters Alice, an innocent young girl, who will change his life forever.
Watching his performance for the excited villagers who are celebrating the arrival of electricity on their remote island, Alice is awestruck by his show and believes his tricks are real magic. Though they don‟t speak the same language, the two lonely strangers quickly bond through small kindnesses. Fascinated by The Illusionist, Alice stows away on his departing ship and follows him to Edinburgh. There, they quickly fall into a father -- daughter relationship, with Alice keeping their home at a boarding house for vaudevillians, while he goes to work in a small local theatre.
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Enchanted by her enthusiasm for his act, The Illusionist rewards Alice with increasingly lavish gifts he has 'conjured' into existence. Desperate not to disappoint her, he cannot bring himself to reveal that magic does not exist and that he‟s driving himself to ruin working all night jobs to buy her gifts.
As The Illusionist grows older, Alice grows up. She falls in love with a young man and is no longer so enchanted by The Illusionist‟s conjuring. She moves on with her life, and The Illusionist no longer has to pretend. Untangled from his own web of deceit, he resumes his life as a much wiser man.
This film was wonderful! Even though the characters barely talked, I LOVED watching them develop through their actions and not words. Almost nothing was said through the entire thing, and that's what made it so great! The first half of the film was traveling and it felt so VERY refreshing to see hand-drawn animation. I cried at the end, it was funny in the beginning but depressing towards the end. At first I didn't think I'd even like it, but I ended up enjoying the film immensely!
=)
princessthyemis 9 months ago 6
Oh god, who cut this trailer? It's painful to watch -- the animation is so visually complex that we need time for our eyes to adjust to each scene, but the rapid cuts make it impossible. What a disaster for what is clearly a beautiful film.
gethsemeny 11 months ago 3