telecaster twang jazz blues kenny burrell meets albert king

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Uploaded by on Jun 14, 2008

clean sample, tele into 81 vibrolux

no edits, raw performance video.

fender guitars and amps sure are cool, huh?

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Music

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Standard YouTube License

  • likes, 4 dislikes

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Uploader Comments (joegagan)

  • Tasty as always - thanks for sharing.

    Is the 81 Vibrolux the last of the hand-wired blackface line?

  • hi chris, thank you,

    yes 81 is near the end of the line for the 60s style construction. i compared it directly internally to a 66 tremolux ( same as vibrolux but no verb), the wiring style and parts all looked nearly the same. only diff. was slightly more modern looking caps and a pull volume boost.

    i have comapred the amp in this video to many vibroluxes, including real 65s etc, it is as good or better than any!

  • What is that in between you volume and tone controls?

  • treble bleed cap control of my own design. see my 'bastard lefty tele explained' video for more details.

  • pretty good!

Top Comments

  • too much reverb. but not bad!

  • After 3 months I'll grab this: For the most part with same woods a Tele sustains a bit more than a Strat and more consistently over its range. This is of course a generalization. A Tele body shape supports the neck better preventing vibration loss. Still a solid heavy ash Strat with a thick neck and big headstock will out sustain an Alder or Basswood Tele with a thinner neck.

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This video is a response to The Two Best Guitarists EVER!!
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All Comments (19)

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  • Tastefully done. Gotta like that tone as well!

  • I want a vibrolux...farken tonelicious

  • Awesome!

  • Very nice!

  • i have a tele baja, great guitar, 4 way switch, great pickups, great neck, awesoooooooooome twangy axe.

  • Very Nice! Your licks have a scat feel to them. I'm impressed.

  • The smooth level and sustain is being enhanced by compression after the amp which also creates the illusion of a longer reverb tail. Nearly all video camcorders do this heavily so that is probably the case here.

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