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England My England - Choir of King's College, Cambridge

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Uploaded by on Aug 3, 2009

The UK official Classical Artist Chart No.1 best-seller!

There is surely no more quintessentially English sound than that of the Choir of Kings College, Cambridge. Their unaccompanied voices are evocative of immemorial sandstone, of cool cloisters, evensong in church, chapel and cathedral, serene in the music of Shakespeares contemporaries Byrd and Gibbons, ethereal in Deliuss To be sung of a summer night on the water as their voices waft across the banks of the River Cam. No less iconic is the chapel that lends its unique acoustic to that sound. One of the glories of the English perpendicular style of architecture, the Chapel of Kings College, Cambridge was completed in 1547, a little over a century after the founding, by Henry VI, of Kings College itself. England, My England opens and closes with coronation music: Zadok the Priest, written by Handel for the crowning of King George II in 1727 and I was glad, composed by Parry in 1902 for that of King Edward VII. Both were so successful that they have been sung at every coronation since. Parrys processional anthem is heard here in its full panoply of extra brass and shouted Vivats, the choir providing the semi-chorus in the exquisite interlude O pray for the peace of Jerusalem. In between are motets both ancient and modern from the miniature If ye love me and the architectural splendour of the 40-part Spem in alium to William Harriss dramatic double-choir setting of Spensers Faire is the Heaven; well-known psalms sung to Anglican chant stand side-by-side with favourite hymns, notably All people that on earth do dwell, arranged by Vaughan Williams for the coronation of Queen Elizabeth II. As well as national rejoicing there is solemn remembrance. Come ye sons of art away is Purcells 1694 birthday ode for Queen Mary; Thou knowest, Lord part of the music he wrote for her funeral just nine months later; John Irelands Greater love hath no man is often heard on Remembrance Sunday; Sir John Taveners Song for Athene made a powerful impression at the funeral of Diana, Princess of Wales, while John Rutters small-scale, personal Requiem touched a wider public following the attacks of 11 September 2001. But Nimrod above all epitomises music of national remembrance. Here a choral setting of Nimrod, Lux aeterna, represents Englands Shakespeare of music, Edward Elgar.
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http://www.emiclassics.com
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http://www.angelrecords.com
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Top Comments

  • Oh, England...The Great Nation that became GREAT BRITAIN...God blessed you so richly. For she is and was chosen to be an EXAMPLE to the WORLD! If only we Americans and Brits return to our God as this Music compels us to do. Thank you for posting. I look forward to the day we are again Head of the Nations under God.

  • Hopefully this will be released in North America very soon, amazing choral tradition at it's finest

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All Comments (28)

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  • You know what I mean - peeps born in England. :-)

  • This ain't "American Idol." This is the real deal Holyfield. No one sings like the Brits.

  • Halelujah - Handel

  • My beloved England. What have they done to you...  God bless you and help you in this dark hour.

  • *******EVERYONE LISTEN UP********** PLEASE CHECK OUT THIS VIDEO VERY TOUCHING (YOU ARE THE ONE FOR ME) TYPE IN JEFF FORCHION

  • Simply wonderful. 

  • @TheMG63

    well said ..... people from wales are welsh .... people from scotland are scot .... people from england are english ...

  • @princeeverlove Sorry to burst your bubble but this music is English. England didn't become Great Britain, it is England still. I am English not a 'Brit'. Unfortunately it is not only Americans who partake in this 'British' nonsense, as there are a far few English people who refer to themselves as 'British' out of state indoctrination. You'll find few proud Scots or Welsh who'd call themselves anything but Scottish or Welsh, and are free to do so without any guilt trip being put upon them.

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