Louis Couperin Unmeasured Prelude in G
Uploader Comments (clementmatchett)
All Comments (7)
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Yes, indeed, thank you very much for sharing the music of Louis Couperin, and thank you for giving us the chance to hear such beautiful music!
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i can not wait to read your dissertation upon spinets. i am an amateur organologist myself( i am only 14) yet one day i aspire to make everything in the viol family, as well as flutes, clavichords, harpsichords, and spinets, and to collect rare instruments. your playing was wondrous!!!!
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Beautiful!! And a very cool idea of presenting the same piece twice...gives the listener a direct comparison for the differences in the temperaments and the instruments. Your Colin Booth Italian, is it modeled after a single surviving instrument or "in the school of" a certain period of Italian building practice? In any case it is a lovely instrument!!
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Thanks Ernst, yes my Italian, which is by Colin Booth, is a gem and a great boon to a novice player.
Beautiful music! 5*****for you! I love harpsichord early music
kacharov 2 years ago
Thank you - yes, the music of Louis Couperin is exceptionally beautiful and insufficiently widely known - I much prefer to play it than the beeter known pieces of his nephew, Francois. But these unmeasured preludes are something special
clementmatchett 2 years ago
Well, Thank You very much!
clementmatchett 2 years ago
Thanks. My Colin Booth is lovely - it is 'after' the Bertarini of 1577 in the Musee Bardini in Florence, but very much 'after' - a wider compass and no pretence really even of being an inner/outer instrument as I think the original must be. Colin tells me he has made about 30 of these now! Best wishes and thanks for you interest.
clementmatchett 3 years ago
Bravo. this kind of (difficult!)prelude non mesuré is an excellent choice to compare two instrument's sounds . I too admire your italian harpsichord. Playing Louis Couperin in mesotonic accord or not is a great subject... no doubt that it creates a very special "ambiance" (wouh, the fa# and do# here!). Excuses for the bad english.
couperinette 3 years ago
Thank you for your kind comments. You are right of course - I hadn't tried playing Louis Couperin in meantone before and perhaps I should try the whole thing again with my historic spinet in meantone and my Italian harpsichord in ordinaire? F sharp and D sharp are particularly difficult on the spinet-many of the sharps give a poor tone because of the balance ratio of the keys.
Your English is fine. English people are used to English-as-a-second-language correspondence.
clementmatchett 3 years ago