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1. Overture - Riccardo Muti (Le nozze di Figaro Firenze'79)

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Uploaded by on Feb 8, 2009

See the playlist for this performance
http://www.youtube.com/view_play_list?p=76E19B214C5D7AD9

Date: 1979
Venue: Teatro Comunale di Firenze (Florence)
Composer: Wolfgang Amadeus Mozart
Librettist: Lorenzo da Ponte

Conductor: Riccardo Muti

Figaro: James Morris
Susanna: Helen Donath
Count Almaviva: Thomas Allen
Countess Almaviva: Margaret Marshall
Cherubino: Rohangiz Yachmi
Dr. Bartolo: Enzo Dara
Marcellina: Nucci Condo
Don Basilio: John van Kesteren
Antonio: Giorgio Giorgetti
Barbarina: Emilia Ravaglia
Don Curzio: Luigi Paolillo

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Music

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Standard YouTube License

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Uploader Comments (antmusique)

  • An interesting Figaro, thank you for posting the whole opera.

    You don't mention the producer ? Any idea who he is ?

    I think I remember reading at the time (30 years ago !) a review of a production by Antoine Vitez, I think I recognize the sets from the photo that was published alongside that review... is this the Antoine Vitez production ?

  • It is! I just checked the opening credits. Impressive memory :)

  • Thanks for the answer - I recognized the hay stacks from act IV ! ;)

    This is very disappointing, as Antoine Vitez was one of the most inventive and brilliant French "metteurs en scène" of his time - this production of Nozze is dull and static, and yet I saw Beaumarchais's "Mariage de Figaro" produced by Vitez at La Comédie Française in the 90s, which was an astounding and breathtaking whirlwind of a production...

    Maybe he was cautious with singers, and dared not ask too much of them ?

  • Re: being cautious with singers. If this is the explanation, he was underestimating them so very much!

    Anyway, it *is* an extremely static production. The camera work isn't helping either...

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All Comments (6)

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  • gradiosa!!!! questa sì che è la sua velocità..

  • Despite the criticism here, I find this production to be very lovely. It's authentic to the period (1700's) and to the time of Mozart, the costumes are great, the sets and backgrounds, especially the garden at the end. I suppose the interior of the mansion could have used more furniture and more bric-a-brac but it's still better than today's awful post modern garbage. James Morris, Helen Donath, Margaret Marshall and Thomas Allen are excellent. Five stars

  • What a great opera.

  • This was the first opera I played with the Maggio. What a walk down memory lane!

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