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TNGA Rep. Matthew Hill "... more government SUCKS!"

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Uploaded by on Sep 22, 2010

"Conservative" GOPer TNGA Rep. Matthew is also the Director of Right Way Marketing - a Northeast Tennesse call center with a lot of business involving Republican candidates and state Republican Party organizations.

RWM first started up a Washington County call center back during early 2009.

Rep. Hill's RWM has reported been receiving Tennessee state grant money during the period January to June 2010 for the training of new employees.

The local newspaper accounts did not report upon the allocation of the 2010 state grant money by RWM, that is to say, to examine if the $18,000 received in Tennessee state grant monies were all spent by RWM for training the Washington County RWM employees that were shortly fired by RWM at the Johnson City location.

RWM also reportedly received a $10,000 forgivable loan from the tax exempt 501(c)(6) NETWORKS Sullivan Partnership for moving from Johnson City (and firing most all of the RWM hourly workers at the Washington County location) and rehiring new employees within Sullivan County.

Criticism and parody of the self-described conservative Tennessee State Rep. Matthew Hill concealing his being a director of a busines, holding out his hand, and taking state grant moneys while his ranting about "more government" on his "The Matthew Hill Show" podcast.

Public domain music and song files: I have a good faith belief that the material was disabled as a result of a mistake or misidentification, and that I am not intentionally abusing this dispute process.

The Internationale music was published before 1 July 1909 outside the United States of America, it is in the public domain in the USA.[8] Pierre De Geyter's music is also in the public domain in countries and areas whose copyright durations are authors' lifetime plus 75 years or less. As Eugène Pottier died in 1887, his original French lyrics are in the public domain.

This work is in the public domain in the United States because it was published before January 1, 1923.
The author died in 1943, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 60 years or less.

This work is not an object of copyright according to Part IV of Civil Code No. 230-FZ of the Russian Federation of December 18, 2006.
Article 1259. Objects of Copyright
Paragraph 5
Copyright shall not apply to ideas, concepts, principles, methods, processes, systems, means, solutions of technical, organizational and other problems, discoveries, facts, programming languages.
Paragraph 6
Shall not be objects of copyright:
official documents of state government agencies and local government agencies of municipal formations, including laws, other legal texts, judicial decisions, other materials of legislative, administrative and judicial character, official documents of international organizations, as well as their official translations;
state symbols and signs (flags, emblems, orders, banknotes, and the like), as well as symbols and signs of municipal formations;
works of folk art (folklore), which don't have specific authors;
news reports on events and facts, which have a purely informational character (daily news reports, television programs, transportation schedules, and the like).

***

Onward, Christian Soldiers!
http://www.archive.org/details/OnwardChristianSoldiers

From original wav version from the Library of Congress.

The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the materials in the Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies,

Composition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired.

This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.

This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), (in this case Sabine Baring-Gould 28 January 1834 â 2 January 1924 lyrics, Arthur Seymour Sullivan 13 May 1842 â 22 November 1900 tune) , and that most commonly runs for a period of 50 to 70 years from December 31st of that year.

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