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Ohimè ch'io cado, SV 316, for soprano and basso continuo, music by Claudio Monteverdi on an anonymous text, published in 1624 in ...
Ohimè ch'io cado, SV 316, for soprano and basso continuo, music by Claudio Monteverdi on an anonymous text, published in 1624 in Carlo Milanuzzi's Quarto scherzo delle ariose vaghezze, an anthology of Venetian secular songs, along with two other works by Claudio Monteverdi: La mia turca che d'amor, and Sì dolce è 'l tormento.
"Although arias and canzonettas make up most of the Quarto Scherzo, the collection also contains two strophic cantatas, one by Milanuzzi and one by Monteverdi. These 'cantade' were among the earliest compositions to be named as such, and represent classic examples of the so-called 'strophic bass cantata,' a genre almost entirely exclusive to Venice. As the title suggests, these early cantatas are simply settings of strophic variations above an unchanging bass, the first of which were composed by Monteverdi and his colleagues at San Marco, Grandi and Berti. Monteverdi had already demonstrated an affinity for strophic variations over an unchanging bass in his seventh book of madrigals (1619) with 'Tempro la cetra,' yet had not fully explored this soon-to-be favored compositional technique in a monodic setting, first illustrated in his 'Ohimè ch'io cado' printed in Milanuzzi's Quarto Scherzo. The six verse cantata interspersed with ritornelli presents an intriguing set of variations that in many ways, represents a kind of prototype for the later solo strophic variations over the popular passacaglia and chaconne basses in the operas of Monteverdi and Cavalli." - Cory Michael Gavito ___
"Jazz" version arranged by Christina Pluhar
Philippe Jaroussky, countertenor L'Arpeggiata, conducted by Christina Pluhar
Abbaye d'Ambronay, 18 September 2008
This work will appear (in a studio version) in the album "Monteverdi - Teatro d'Amore", with Philippe Jaroussky, Núria Rial, Cyril Auvity, Xavier Sabata, and L'Arpeggiata conducted by Christina Pluhar, that will be released by Virgin Classics in January 2009.
I must confess that I dislike these anachronistic arrangements, whether they are made by Christina Pluhar, or even by the great René Jacobs, whose work I usually admire. But I find this performance much better than the short participation at the end of the Centenary Gala at Salle Gaveau, on 18 December 2007, and also funnier. However, I still think that poor Monteverdi should be spared this kind of outrage, just like Francesco Cavalli's Callisto does not need a romantic violoncello solo in the middle of an aria, Herr Jacobs. ;) ___
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leclavecisnistre, you SO need to loosen up. Just because you don't like it doesn't mean it's not music. These brilliant musos are just having fun and using some Monteverdi as their raw material. Give it a rest.
I agree with you: they are brillant-though I do not appreciate C.Pluhar for what she does now (but this is another debatk, and I like the Landi album). Yet to me what they are doing here just sounds like calculated, without any spontaneity. What I don't like is NOT what they wanted to do(even musicians might have fun) but it is the way they're actually doing it. This is slightly different. :)
God damn them! This stinking thing is absolutly a pure musical non-sense! There's NO ounce of music in this as well as their constipated smiles : it's just commercial. People might enjoy it, that's good! but it doesn't mean it's good. Jarousky does have a great voice, it's just a pity he'd spoil his talent such a way! Though I'm far to be a purist as a musician yet enough is enough! Just listen to Uri Caine's version of Bach's Goldberg! This IS what I'll call improvisation. :) Thanks
Far greater crimes have been committed in the name of populism and I hardly think they are suggesting this is the only way to interpret this music. Do you really think Uri Caine would agree with such circumscriptive purism?
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What I don't like is NOT what they wanted to do(even musicians might have fun) but it is the way they're actually doing it. This is slightly different. :)
People might enjoy it, that's good! but it doesn't mean it's good. Jarousky does have a great voice, it's just a pity he'd spoil his talent such a way!
Though I'm far to be a purist as a musician yet enough is enough!
Just listen to Uri Caine's version of Bach's Goldberg! This IS what I'll call improvisation. :)
Thanks
best part at 2.49 XD
he´s got such a great voice, luv it!