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Turandot - Bjòrling-Domingo-Corelli-"Nessun dorma"

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Uploaded by on May 20, 2008

Jussi Bjòrling - Placido Domingo - Franco Corelli - cantano l'aria "Nessun dorma"
dall'opera Turandot di puccini

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Uploader Comments (macciboma)

  • Domingo is actually singing this very good, better than Bjoerling in fact, although it's a bit unfair as it's stereo of the highest class, as for Bjoerling the recording was primitive. And the last high note Domingo gets out is not pretty. As for Corelli, only one word: grotesque.

  • Corelli is the most beloved and acclaimed in YOUTUBE Thanks

  • dOMINGO SANG VERY WELL IT WAS NOT THE PROBLEM IT WAS HIS TOP WAS TIGHT AND SOMETIMES REALLY NOT SO GOOD BUT HE SANG USUALLY VERY WITH IN THE MUSIC AND MANY ROLES BUT HERE CORELLI IS THE BEST FOR THE ROLE AND THE VOICE HAD HEFT OVER THE OTHERS. I DID LIKE DEL MONACO IN HIS PRIME THOUGH, HEARD HIM IN OTELLO, BIG EXCITING VOICE A TRUE DRAMATIC TENOR!

  • Saggio commento sono d'accordo con lei nel

    descrivere diffetti e qualità, Grazie vi saluto

    nella musica di Puccini. Walter.

  • Live of course Corelli was best of the three in this role, Bjorling never sang it live he was smart with his lyric voice not too but on recording I love it best , live Corelli was it he sang the very best Calaf it fit his voice like a glove and many agree. I'm not a Corelli fan but in this role he and del monaco are tops on my list.

  • For me Corelli is the best in this air. Voice of Del Monaco

    is powerful, but less varied and a p'ò metal. greetings. Walter.

Top Comments

  • This is way too easy, CORELLI!

  • 1_Corelli

    2_

    3_

    .....

    10_the rest

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All Comments (97)

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  • Even if i never met him and i never heard him live because of my age i just respect corelli with all of my soul he takes it each time i hear him sing , his emotions,his tecnique, his powerfull and his singing like it was his second nature make me love him as the best tenor of all times

  • Corelli is reaching deep down from the depths of his soul and letting it all come out. The others are just trying to get the notes right. That is what it sounds like to me. Corelli is the best at this.

  • I could listen to Bjorling all day long but live in this aria Corelli's voice was a natural for it. Jussi recorded it very well however, great technique.

  • Corelli the top !!!!

  • agree with germanoperasinger above Bjorling is a freight train in this version, amazing power in reserve, but Corelli's coloratura wins the day.

  • Even though we clearly point Domingos´s vocal weakness in his top notes which in many instances are close-to-collapse or crack his followers keep in playing deaf.. That´s why now he sings one half or a whole step down.. His worldwide promotion machinery never rest to convince us that he is the God of tenors ( Liberame Domine !!) Has he good musical, histrionics points ? Certainly, no question on that..but please, don´t force us to swallow that he is the best in the world...PLEASE.

  • @GEIOMED All are good or very good tenors,but ever one have present Pavarotti's playing this aria,ans sincerelly,I believe than,specifically in Puccini,and much more in Turandot,he follow been the best.

  • Corelli is flawless here but there's something that makes Domingo #1

  • @macciboma No that is Potts, and then Lanza/Bocelli. Much more than Caruso. So what that proves I don't know.Corelli had a fantastic voice, but his lisping is awful, and he didn't sing very well as his mannerisms was more important to him. He could have been one of the greaestt, but he chose to be difficult. Or why do you think that when real musical critics are voting in polls, Kraus, Bjoerling, Domingo, Di Stefano etc are always much better placed.

  • creo que estos dos no son rivales para placido domingo, parecen hormigitas a su lado.

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