Piet Mondrian - A Journey Through Modern Art
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Uploaded on Jul 5, 2007
Piet Mondrian - Master of Modern Art; Music by Philip Glass from "Glassworks" Track 6 - Closing (Instrumental)
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Philip Glass;Philip Glass Ensemble
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Top Comments
jprg1966 1 year ago
While his individual paintings are often moving by themselves, seeing them merge into one after the other adds a new dimension -- progress.
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openoleg 1 year ago
1:40 "Он квадратный. Так вы его узнаете. По квадратности." (c) 12 oz. Mouse
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Video Responses
All Comments (258)
puddind222 1 week ago
frogs.
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hellorodney 4 weeks ago
excellent,,,thank you
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MrsRevSamwow 1 month ago
Beautiful art: paintings, music, and video. Thank you for this.
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Candy Walton 2 months ago
This is brilliant! ...the music is a wonderful companion to this amazing moving exploration of Mondrian's genius! Took my breath away...thanks!
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TerrorMellon 2 months ago
you would have to be a REALLY GOOD artist to evoke such emotion out of straight lines and coloured squares.
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TerrorMellon 2 months ago
no he only removed the subject matter because he believed that only though an artwork with no subject matter can True meaning be derived, he believed that by banishing the subject matter he could express an enlightened consciousness to better society.
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jorgeefrainbravosalg 2 months ago
FIXING STOPS could have been more Time to See the real Paint between Transitions!
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thew 2 months ago
he didn't remove meaning. 1st of all meaning is something you, the viewer, put into art, not the other way around. 2ndly art is a conversation with all the art that has come before and will follow. mondrian made us look at color and balance and arrangement outside representation. that does not dent representative art, it gives us a vocabulary to discuss it, a new context to understand it with
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Winston Smith 3 months ago
The result wasn't meaningless though. If it was meaningless we wouldn't be talking about it.
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sibeliandrift 3 months ago
Yes, he removed all meaning. Resulting in something meaningless. Which is not "good", but is, in fact, bad.
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