From the exhibition Sculpture in Motion at the Atlanta Botanical Garden on view through October 2008 and curated by Brigitte Micmacker from Sculpturesite Gallery. Curator's commentary: "The George Rickey work in the Sculpture in Motion exhibition, Two Lines Oblique, Atlanta, 1969, on loan from the High Museum of Art in Atlanta, is a classic example of the monumental works composed of blades that became Rickey's best known legacy. The long, tapered blades used as pendulums are a wonder of empirical engineering: light-weight sheet stainless steel is wrapped around a structural core and lead weights are distributed unevenly to slow down the blades individually, a procedure Rickey used to create as much as a tenfold difference of tempo within the same sculpture."
Guy's a genius.
cwhig 3 years ago
This was in Nashville for 3 years prior to traveling to Atlanta. It's a wonder to watch. Almost seems to be a living thing at times.
mmadman 3 years ago
Simply one of the most amazing things I seen in my life! A perfect balance of aesthetics, design, precision of craft, & possibly a few other concepts that allude me right now. Mesmerizing - if only in my wondering if it would ever repeat itself in space. I thought of it today in relation to our tendency to think things have to be complicated & our propensity to turn to high-technologies for solutions. Exquisite piece to ponder chaos, unintended consequences & the butterfly-wing effect, etc. THNX
clayboy56 3 years ago