Top Comments
All Comments (42)
-
@roscoefoofoo I love it too, but the Mandolin solo was overdubbed later :( It wasn't part of the performance
-
@IanDavidOnDU I think Garcia made it more mournful than angry, which is to say; he did it his way.
-
I have this on vinyl, finally decided to get an ipod. One of my favorite albums ever. We just lost Merl Saunders last summer..
-
I love bob Dylan but this is by far the best version of this song. Jerry is the fuckin man
-
@jacksonBVFC I think he was most comfortable in this environment. The music was cetered around the song; not the jam.......but you still had improv intertwined but it never steered far from the song. I just love the simplicity. TImeless. A master at his craft. Can't wait for the remastered JGB from these years. Next purchase will the Keystone CD's, but I suspect there are more to come.
-
@pcburgh01 could not agree more! 73-74 is still raw, but they well into the expansive jams. Check out the China->Rider from 5.19.74 - my vote for best transition of all time.
-
this is an insane recording. wow. this is the essence of Jerry. God damn.
-
don't you understand it's not my problem?
-
anger plus time can leap to forgiveness
-
John Kahn Could play a mean bass, as pretty a bass as I ever heard. Thanks so much for the music guys. Miss you so much.
WHAT a great version! The spaces in this song, the clarity, the resonance, of every instrument, are amazing, especially for a live recording. That electric mandolin from 5:08-5:54--goosebumps! And Jerry's singing was never better: wistful, letting go, pushing away, but edged with hurt, pity, loss, disgust, resolve. America's guitar-Buddha--he's jamming w/ buddy Merl up where the best songs never end....
roscoefoofoo 1 year ago 9
Great comments! I'd like to add that John Kahn was incredible back then! The bass could not have been any better, Jerry's solo's were heavenly, etc! Guitar tone just sparkles!
baltusrolcaddie1 1 year ago 4