Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Bulerias Compas Lesson Counted

Loading...

Sign in or sign up now!
35,560
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Apr 7, 2007

For Tablature/Score go to http://flamenco-lessons.com/bulC1T.htm

An Intermediate Level set of compas for Bulerias. Just one example from the many lessons available from http://www.flamenco-lessons.com

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 5 dislikes

Link to this comment:

Share to:

Top Comments

  • it is good, but at the same time very funny. I do not know anyone who would be able to play so many compases and count the beat even in Spanish. very impressive and inspiring. I guess you could make a new Guiness record. 12 hours playing buleria and counting 12 beat should be enough to make it :)

  • Great lesson here. This is what most of the videos on flamenco do not show, and is very important the compass to be able to understand the rythm in flamenco. Muchas gracias por tu ayuda.

see all

All Comments (27)

Sign In or Sign Up now to post a comment!
  • It would be interesting to see this counted with a metronome playing as well.

  • @supergras0531

    A(add Bb), A7, Bb major(add E), C9

  • Please ... do you say to me where I can find the chords that you use? It is important

  • @Bikhiyal Thank you!

  • @mrodrigo24 accents on 6 and 8 or 7 and 8.....that has more to do with the underlying groove. This represents one of many ways to play basic compas on the guitar. Bulerias gets played slightly different in different places as well as different eras.... this is a good starting point.

  • jason is this the traditional bulerias with accents on 6 and 8?

  • complete repect for counting at the same time as playing this amazing toque... incluso los gitanos no lo pueden explicar pero tu lo has coneguido -- chapo!

  • cheers jason. good of you to post this stuff. love this bulerias. very ballsey.

  • keep track of the accents in your mind. a guitarist is responsible for many other things besides playing just the accents. falsetas for example often strongly emphasize beats and counterbeats other than the common accents.

  • if the accented beats arent clearly accented how can one avoid going fuera de compas? why distinguish where the 12-beat forms start when after the first cycle it's all the exact same?

Loading...
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more