We wanted to film all five of our best selling home theater projectors (Panasonic PT-AE3000U, Epson Home Cinema 1080UB, Epson Home Cinema 6100, Sanyo PLV-Z700 and Sanyo PLV-Z3000) at once, playing...
We wanted to film all five of our best selling home theater projectors (Panasonic PT-AE3000U, Epson Home Cinema 1080UB, Epson Home Cinema 6100, Sanyo PLV-Z700 and Sanyo PLV-Z3000) at once, playing the same content, since that is one of the most frequent requests. We also threw in the Optoma TX1080 - a crossover widescreen business projector. But like with any comparison like this - there are some limitations to our professional video camera. That means some of the most noticeable differences between the units we saw in person are not apparent in the images you see.
Below are a couple of the differences the camera couldn't see.
Black Levels
The black levels were far superior on the Epson Home Cinema 6500 UB, the Sanyo PLV-Z3000, and the Panasonic PT-AE3000U - with the overall 'blackest blacks" nod going Epson. The Sanyo PLV-Z700 showed the worst blacks in our test with out of the box settings.
120hz Superiority
The projectors with 120hz processing (again the Epson Home Cinema 6500 UB, the Sanyo PLV-Z3000, and the Panasonic PT-AE3000U) looked incredible in person. They look good in the video, but even in scenes with just a little movement - like people walking through the metro station - the difference was remarkable and obvious. We hope to get some HD video that can capture the difference soon.
Brightness
The camera tends to adjust for brightness, finding a happy medium that makes all the images look their best. The good news here is that there was not much to report. All of the projectors looked about the same in terms of brightness although there are a few hundred lumens difference between some of them. In fairness to the brighter projectors, the images were relatively small since we had to get them all on the wall. If we made the images bigger, the brightness difference would have likely been more apparent.
Help Us Help You! This is our first attempt at a shootout video, and we are still learning how to best provide you with the most useful content. One lesson we learned this time is that we need to use an HD camera. Yes, it does seem like the obvious choice. Yes we will do it next time. However, even with an HD camera we still have limited bandwidth on sites like YouTube and Vimeo. So, I think next time we will offer a higher resolution HD video feed for you to download at your leisure. We have also had requests to do some reviews with calibration settings. We are still considering this. Please feel free to share your thoughts and ideas! You can do so by replying to the newsletter email, or send your thoughts to webmaster@projectorpeople.com
Projector order in video : Sanyo PLV-Z700, Sanyo PLV-Z3000, Panasonic PT-AE3000U, Epson Home Cinema 6500 UB, Epson Home Cinema 6100
Video Log
0:00 - 3:05 * Product introductions. Our product manager mentions 'black bars' visible in person, but do not show up on the camera. Example of DLP "flicker" at 02:12 - 02:28 is visible on camera, but not visible to the naked eye for most viewers.
03:06 - 04:11 * Discussion of black levels in each product (sales person obscures view of the Sanyo PLV-Z3000)
04:12 - 04:59 * Example of 2X zoom on the Panasonic PT-AE3000U.
05:01 - 06:15 * Lights on brightness check and brightness discussion.
06:16 - 6:55 * Brief discussion of 120hz. Unfortunately the difference isn't very noticable here.
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The Panasonic PT-AE3000U was the middle projector. That is probably our most popular unit. Followed by the Epson 6500 UB (because it had the deepest blacks). The Sanyo PLV-Z3000 and Epson 6100 are also popular. The Z700 less so, but it is also the least expensive.
Thank you. Nice job. Some suggestions for next time. Show more of each projectors capabilities in lens shift as well as zoom. Not just one projector in the shoot out. Also have a before calibration followed by after calibration review. To not judge a projector after calibration is almost sinful. I'm not really speaking of pro level. Something the average Joe/Jane with a Digital Video Essentials disk; or even a THX movie with calibration tools can do. Me ... I'm still leaning toward the 6100. =)
You might check out some 120hz displays too. The 6100 is not 120hz, but it is bright - which is important for daytime football, etc. But the clarity is pretty impressive on the 120hz Epson 6500 UB. But some might not 120hz tho. Sounds strange, but it almost looks more like video than film. BTW others have suggested that we calibrate B4 too. I like your idea of using the THX screen. Our main reason for not calibrating b4 shootouts is most don't bother do it - or won't pay for disc. Thanks!
Totally agreed. We fully intend to use an HD camera next time we have a shootout. Unfortunately our HD camera was out on a shoot in Puerto Rico and the Sanyo PLV-Z3000 was only here for one day, so we had to use available resources. The camera we used was a Panasonic HVX200 which is no slouch, but is not HD. But, agreed.
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