西山まりえ ゴルトベルク変奏曲 Promotional Video
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It is amazing , but to listening to her transports me straigth to the 17th century. There is a very medieval side in her. It is Yamato which speaks in her..
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Personally, even if it is different from performances more known, Gould, Hantaï, Jarrett..., I like very much.
It is fresh and very soft. There is maybe more feminine sensibility...
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かわいそうだけど、ひどい。
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I've now watched a couple of her videos and haev some questions. Is it me or does she play the pieces in different tempo than the original? Doesn't sound like ones i play. it's not only slower, but more exaggerated and at sometimes more notes. Almost sounds like it could be from something like a fantasy from swelinck.. Even the scarlatti pieces i watched her play in a video sounds weird to my ears.
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I would marry her on site. Gambate Nippon.
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うp乙
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For a harpsichord to deliver contemplative feeling on this Aria is much much harder than on a piano .... I think she did it beautifully, congrats.
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This impresses me much
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I don't understand that much lag between right hand and left hand some time.
I don't like the rubato either
テンポ.ルバートによるズレは意図でしょうけど、素直な演奏の方が好き。
sayaendo8735 3 years ago 6
I like the rubato very much, although I think she should base it on Bach's original note values (she invents some of her own in some places). The only thing that bothers me are Marie's exaggerated body movements... they make her look very narcistic - but she isn't alone in that, many piano and harpsichord players do the same, and for no apparent reason. It distracts the attention from the playing.
ocktube 2 years ago