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Monteverdi: Zefiro torna e di soavi accenti - Fouchécourt, Padmore

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Uploaded by on Mar 2, 2009

High resolution and stereo sound:
http://www.youtube.com/watch?v=85tCzdRt6UE&fmt=18

"Zefiro torna e di soavi accenti", SV 251,
madrigal for two tenors with basso continuo

Text: Ottavio Rinuccini

Music: Claudio Monteverdi

Published in Scherzi musicali II, in 1632


In this video:

Jean-Paul Fouchécourt, tenor
Mark Padmore, tenor
Les Arts Florissants,
Conducted by William Christie

Recorded in 1992

"Rinuccini's poem is a close imitation of Petrarch's sonnet 'Zefiro torna e 'l bel tempo rimena' (no. 310 in the Canzoniere) - set by Monteverdi in his Sixth Book of 1614 - and there are also echoes of the nature imagery of Tasso... The poem seems ready-made for musical setting, even if Monteverdi felt it necessary to clinch the point by changing the first parola rima (Rinuccini's first line is 'Zefiro torna, e di soavi odori', rhyming with 'fiori', 'Clori' and 'canori'). The composer's new 'accenti' prompts a setting for the most part over the syncopated ciaccona bass pattern in a jaunty triple time. Nor does he lose any opportunity to 'paint' the specific images of the text - the 'sweet accents' 'murmuring' through the branches, the flowers made to 'dance' to the wind, the 'sweet an joyous notes' of the nymphs and the (high) mountains, low valleys, and echoing caverns. But for the final tercet Monteverdi shifts to a dissonant madrigalian style, contrasting the joys of spring with the pains of the lover: triple time returns only at the end as the poet counterpoints weeping and singing, the reference to 'canto' providing the final justification for the use of the two gestures that most obviously invoked 'song' in the early seventeenth century, triple-time writing and (in the final cadence) ornamental roulades. Thus Monteverdi's 'Zefiro torna' conventionally plays off aria styles (for the delights of spring) against 'recitative' (for the grieving lover). "
- Tim Carter

Zefiro torna, e di soavi accenti
l'aer fa grato e 'l pie discioglie a l'onde,
e mormorando tra le verdi fronde,
fa danzar al bel suon su 'l prato i fiori.

Inghirlandato il crin Fillide e Clori
note tempran d'amor care e gioconde;
e da monti e da valli ime e profonde
raddoppian l'armonia gli antri canori.

Sorge più vaga in ciel l'aurora, e 'l sole
sparge più luci d'or: più puro argento
fregia di Teti il bel ceruleo manto.

Sol io, per selve abbandonate e sole,
l'ardor di due begli occhi e 'l mio tormento,
come vuol mia ventura, hor piango hor canto.

Translation (by Tim Carter):

Zephyrus returns, and with sweet accents
makes the air pleasing and loosens his foot from the waves,
and murmuring among the green branches,
he makes dance to his sound the flowers in the meadows.

Phyllis and Chloris, garlands on their brow,
temper their sweet and joyous notes of love;
and from the mountains and the valleys low and deep
sonorous caverns echo their harmony.

Dawn rises more lovely in the heavens,
and the sun spreads forth more rays of gold;
while purer silver adorns Thetis' fair cerulean mantle.

Only I, wandering through abandoned, lonely woods,
the brightness of two lovely eyes and my torment,
as my fortune wills it, now I weep, now I sing.

  • likes, 4 dislikes

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Top Comments

  • Monteverdi is simply awesome! I can hear the wind over the field! Gorgeous!

  • 5:06 !!!!

    Monteverdi has the most beautiful and surprising chord successions that I know of. This is super duper.

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All Comments (67)

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  • @TepidStreams Measure bars were a very flexible thing at the time, often not even "notated" on the score. Modern editions usually have to normalise their presence in the score, sometimes "correcting" them following "modern usage"...

  • @TepidStreams I have the same question. Anyone with music theory background perhaps can shed some light?

  • Why is it notated such that the second quarter-note of each measure sounds like the downbeat? Were the measure bars added by someone else after it was written?

  • @RufusLoacker

    I think you have to add more grands to that! Hahaha I love Monteverdi, such a cool last name to have, congrats ;)!

  • My surname is Monteverdi, my grandparents come from Cremona, the city where Claudio Monteverdi born. Aaaaaand... I'm sudying composition. I <3 my grandgrandgrandfather :P

  • Davvero torna zefiro!

  • Jesus christ, this is fucking awesome.

  • you are so right

  • @kotetsu131 Its a basso ostinato, of course the HARMONY is repetitive but the melody is extremely charming

  • ho miei dei....ho miei dei!..HO MIEI DEI!

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