Bonne Rox sings "Bohemian Rhapsody" live in Telford

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Uploaded by on Mar 4, 2008

Bonnee Rox sings "Bohemian Rhapsody" live at the Elephant & Castle, Telford, England.

This song was recorded live and you can see all the technical problems that performers face when singing live and travelling all over the country to venues far and wide.

This video is a sort of "Out Takes" version of a live performance.

History of the Song
The song was recorded over three weeks by the band and producer Roy Thomas Baker. Recording began at Rockfield Studio near Monmouth on August 24, 1975, after a 3-week rehearsal period in Herefordshire. During the making of the track, a further four studios -- Roundhouse, SARM (East), Scorpion, and Wessex -- were used. According to some band members, Mercury had worked out the entire song in his head and directed the band through the song.
Brian May, Mercury and Roger Taylor sang their vocal parts continually for ten to twelve hours a day, resulting in 200 separate overdubs. Since the studios of the time only offered 24-track analogue tape, it was necessary for May, Mercury and Taylor to overdub themselves many times, and "bounce" these down to successive sub mixes. In the end, eighth-generation tapes were being used. The tapes had passed over the recording heads so many times the normally opaque tapes could be seen through, as the oxide layer was beginning to wear off. The various sections of tape containing the desired sub mixes would have to be cut with razor blades and spliced together in the correct sequence using adhesive tape (splicing tape).
A backing track of the grand piano (Mercury), bass guitar (John Deacon) and drums (Taylor) was recorded first. The band used many instruments to produce the song, including a Fender Precision Electric Bass, May's Red Special electric guitar, Ludwig Drums, timpani and a Paiste Gong. Mercury used a Bechstein "Concert" Grand Piano, the same he'd later play in both the promotional video and the UK Tour. When it was finished it was the most expensive single ever made and remains one of the most elaborate recordings in music history.
When Mercury wanted to release the single in 1975, it had been suggested to him that, at 5 minutes and 55 seconds, it was far too long and would thus never be a hit. But Mercury gave a copy of the single to friend and London DJ Kenny Everett, informing him (with a wink and a nod) that it was for him personally, and that he must never play it on air. Mercury's plan (a form of reverse psychology) worked -- Everett did just the opposite, teasing his listeners by playing bits and pieces of the song throughout his show. Ultimately, Everett would go on to play the song as many as fourteen times in a single day. From then on, every major radio station played the song in full. The track proved popular and was released with "I'm in Love with My Car" as the B-side.

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