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@troilustomek your comments are not that accurate.The Odolci mani was a break in the voice,yes. but he recovers well& sings the rest of the aria well,You may not care for him but he did sing everything pretty well from Favorita to Otello Trovatore Puritani William Tell. He was able to sing forte, but also piano mezza voce & do filaturas.I know he lost his voice for a while & went on a pilgrimage to successfully recover it, even though you may not think so, I do think his prime was short lived
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Yes, this is a directory where Mario could not show all its splendor voice. But when he sang Guglielmo Tell, I Puritani, Il Trovatore, Rigoletto, was in its glory.
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Si canta così! Grande!!!
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She is perfection! Even in a recordining in which it's not possible to really hear musicality in general...just the bare notes that are hit...you can hear each note perfectly and melodically. what can be said she is ...La Divina
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Il 8 giugno 1950, palacio de las Bellas Artes, Mexico city. dir: Umberto Mugnai.
Si, questo e un repertorio dove Mario non poteva mostrare tutto il suo splendore vocale. Invece quando lui cantava Guglielmo Tell, I puritani, Trovatore, Rigoletto, era al suo splendore.
CotaDangelo 2 years ago 3
filippeschi, ce ne fossero oggi di tenori così oggi,ricordo il suo "o muto asil" impressionante!
odontotazio 3 years ago 3