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Han Kim plays Mozart Clarinet Concerto K.622 - 1st movement - Part. II

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Uploaded by on May 17, 2009

Han Kim plays Mozart Clarinet Concerto K.622 with Euro-Asian philharmonic orchestra conducted by Nanse Gum at Kumho-Asiana New years concert, Feb.07,2009, Seoul Art Center Concert hall, 20 days before his 13th birthday.(1st movement Part. II)

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  • he is sooo good. OMG

  • @dodddd29383!

    Totally averse to moving? Movement and breathing is life. Are you totally averse to breathing as well? Clarinet players should not breathe?

    If the orchestral players were not seated, we would be watching a whole ballet on the stage!

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  • im learning this for solo ensemble. thisbhelp me understand the song a lot. im 14 :)

  • he plays robot teacher music he doesnt know what he play ..and i say if is good player lets play the normal clarinet Bb and do transpose to B major..i cant believe it do you all of them what you know about music he plays C MAJOR for god C MAJOR I PLAY IN MY BORN and the wrong is if has expensieve clarinets now he cant respect the instrument he wants more and more expensive when he grows up

  • @Pyfacefornever Normally, it is usually so, that you have to memorize every clarinet concert, that you play on stage. For me, I really hate it, when I see people, doesn't matter which instrument, who play their concerts, really concerts for their instruments, with sheet music! It is something like an act of courtesy to memorize clarinet concerts for example. Like for me, it is normal to wear a suit every concert, due to the respect to the composer, the piece of music and the audience! :D

  • OMG! Has he memorised the whole thing?! That's crazy, yet incredibly amazing! WOW!!!!!!!! He's become my role model! I'm 13, (he could be older?) and I play the clarinet too and some day I want to play like that!

  • Nice and beautiful. And yes he can still improve. Yet it's much enjoyable ;-)

  • Anyone commenting on his playing in a negative has never played clarinet before in his life. The main thing that could use work in his playing is intonation but any other comment on his playing is invalid.

  • This is a wonderful performance, but there is room for improvement. The piannissimo needs more air support to avoid slipping into a borderline sub-tone.

    If there was less body movement, 1) the tone would be more stable because ther would be less embochure adjustment. 2) Han might me able to relax his hands a bit more and get better synchronisation between his tounguing and his fingering on the fast staccato runs. Once you get to this level of playing, small things matter.

  • YOu need to play this piece to realise how good in fact this performance is.

    I'm doing it right now, and it's really hard.

    He's really good

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