A jazz vocal group consisting of mainly new or emerging artists. Personnel includes Daryl Bosteels, Melissa Hamilton, Van Hawk, Christopher Humphrey, Jeff Auger, Marty Ballou, Fred Haas, and Les Harris, Jr. They've made four albums thus far for Denon, one a Christmas release, with their most recent effort featuring a guest stint from Clark Terry. ~ Ron Wynn, All Music Guide
Vocal jazz fans, if you've never heard of The Ritz, quick, give Amazon your credit card number and get yourself a copy of this little gem (and its sibling, "Movin' Up") - how amazing to see this music available again!!
The Ritz was a cool little jazz combo centered in Boston back in the 80's, a smoothly rhythmic vocal quartet with a rhythm section to die for. As a local music student with a love of jazz, I caught them live in concert whenever I could and mourned when the group started breaking up in the very late 80's/early 90's.
To be blunt, this group was everything that I'd always felt Manhattan Transfer SHOULD have been - they're sharp, they're together, they're rhythmically clean, they have a close vocal blend (but without that irritating over-precision that goes too far in the other direction) - and best of all, when they swing, it sounds like jazz, not rock or pop. To steal a line from a vocalese on this album, they've got "just that certain combination of real and tight"... ah, but BEST of all, True Believers - these cats SCAT! (Heck, Bob Stoloff, whose vocal work is featured here, literally wrote the book on scat - several books, in fact, two of which are still in print and sold by Amazon - check it out!)
This is the album that started my love affair with the Ritz. A few high points? Daryl Bosteels' suavely musical exposition of a wild, eminently raid-able party in "Saturday Night Fish Fry" - the perfect voice for jazz storytelling, flexible and expressive. Tone clusters like bunches of ripe grapes in the gently, sweetly dissonant a cappella "A Child Is Born". The four-at-a-time scat chorus in "Scrapple from the Apple". That wonderful, creative segment of pure vocal percussion in "Ooh Yah". A sultry jazz flute in the playful "Summer Burn". The single sweetest recording of any jazz ballad I've ever heard, in the bittersweet and softly pensive "It Never Entered My Mind". Moments when the voices sound like a soaring horn section... great arrangements by energetic lead vocalist Sharon Broadley (it was never the same without her)... crisply rhythmic vocalese penned by drummer Les Harris, Jr. (who will always be my archetypal image of a jazz percussionist)... the list goes on... and on...
go sharon!
IMAMEETOOL 9 months ago
@daccha .............. you know, you might have asked me if it was okay to reprint my review (yes, everything after the first paragraph above is mine) from Amazon.
Also, for the record, it's Val Hawk, not Van, and this group is hardly "new" or "emerging" anymore. Their old albums have been recently reissued, however; the first two are WELL worth a listen. I wrote reviews of both albums on Amazon, and you should check them out if you're a vocal jazz fan. These recordings are simply terrific.
ThirteenthMuse 1 year ago
Tremendous! Thx for the posting & the backstory. BT
TwainsBlues 1 year ago