La Dialectique Peut-Elle Casser Des Briques?, in English, "Can Dialectics Break Bricks?", is a 1973 Situationist film produced by the French director René Viénet which explores the resolution of co...
La Dialectique Peut-Elle Casser Des Briques?, in English, "Can Dialectics Break Bricks?", is a 1973 Situationist film produced by the French director René Viénet which explores the resolution of conflict through dialogue as opposed to violence.
The film uses a much older martial arts film ("The Crush" from Doo Kwang Gee) for its visuals which has been dubbed over by the filmmakers in an attempt at detournement. The concept and motivation of this film was to adapt a bourgeois film into a radical critique of cultural hegemony and thus into tools of subversive revolutionaries ideals.
The Narrative is based upon a conflict between the proletarian and bureaucrats within state capitalism. The proletarians enlist their dialectics and radical subjectivity to fight their oppressors whilst the bureaucrats defend themselves using a combination of bribery and violence. The film is noted for its humorous approach to this serious subject matter.
The film also contains many references to revolutionaries who thought and fought for the realisation of a post-capitalist world, including Marx, Bakunin, and Wilhelm Reich. Also Subplots dealing with issues of gender equality, alienation, trade unionism, May 1968, and the Situationist themselves are riddled throughout the film.
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i understand the reason for appropriation, what i mean to say is that this video is part of the spectacle. you and i know only the history of the process and are not active participants in its creation, rather we take what we find and make it our own, intimate it until it feels natural. you say "propaganda for our side," assuming you are aligned somehow
Oh yeah, I'm sure it's supposed to be, the whole premise of the movie is based on cultural hegemony theory. I mean I think what's amusing about it is that it is transparent propaganda, its a mockery of bourgeois popular culture, they've turned it on its head and really exposed the absurdity of it here. I don't mean propaganda as a pejorative necessarily. I think its self-consciously spectacular, mass media is so oriented towards novelty, so I think the movie does what its supposed to.
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