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If you could pinpoint a big bang in the guitar universe, it would most likely have emanated from the strings and soundboard of Jean Django Reinhardt's steel-string acoustic on December 27, 1934, in Montparnasse, France.
Reinhardt had already been playing professionally for years and, in fact, he predated Charlie Christian by well over a decade. But this date (the Big Djang?) marked his first recording with the celebrated Quintette du Hot Club de France-featuring violinist Stephane Grappelli, Reinhardt's brother Joseph Nin-Nin Reinhardt and Roger Chaput (later replaced by Eugene Ninine Vees and Pierre Ferret) on rhythm guitars, and Louis Vola (replaced by Emmanuel Soudieux in 1938) on bass-whose instrumentation and remarkable improvisations were unprecedented in the European jazz world. From that moment on, Reinhardt's fearless gypsy approach to jazz guitar re- sounded like a shot heard 'round the world, leaving millions of mouths agape and setting the course for the instrument's evolution.
Very usefull lesson. Whatever it is (Django or not Django style) it is JAZZ.
Please, do not remove these videos.
Thank you; MERCI BEAUCOUP
BlueFlower129 5 months ago
ffs u dont even use gypsy picking and u dont sound nothing like Reinhardt
there is a difference in succesion recipies and real guitar playing
dBArtist93 7 months ago
this half-step below approach/soloing - what scale/s are we playing or potentially playing here please? Or is it just a 'chromatic variation'? thanks! :)
denom03 9 months ago
useful for me
jaapberk1 1 year ago
having heaps of troubles getting fast at it
foathkent 1 year ago
thank you for posting very good
GuildF40 1 year ago
well heck yeah... i knew that but, i didn't understand it as well as i do now... and great knowledge for working on the weaker side of the hand... thanks...
pbeachmike 2 years ago