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Creating Ambient, Open Sounding Chords

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Uploaded by on Jun 26, 2007

Study guitar online with Berklee:
http://www.berkleemusic.com/school/courses/guitar/?pid=2036

Add unique emotions and overtones to your playing by experimenting with triads over bass notes to build ambient, open guitar chords.

Berkleemusic.com is the continuing education division of Berklee College of Music, delivering online access to Berklee's acclaimed curriculum from anywhere in the world and teaching online music production, music business, songwriting, guitar, bass, music theory, arranging and performance.
http://www.berkleemusic.com/?pid=2036

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Top Comments

  • Slash chords don't refer to the guitarist... they're a type of chord...

  • its not slash as in the guitarist slash.

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All Comments (45)

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  • thank you

  • Did anyone else notice that beautiful tone... my god.

  • Thanks man..

  • @Siyth Yea, just means another note on the bottom... like D Major / F#

  • I've actually been doing this for quite a while now, and I never knew why it sounded so good; it was bugging me alot. Thanks for posting.

  • Im sck of putting D's beneath it ;D

  • this video just changed my life.

    thank you

  • @Siyth naw man.....its slashes chord. He made it up.

  • @ibanezbloke check out resolution by mahavishnu orchestra, the chord shapes of normal straightforward triads are used but the bass note is altered to add tension. carla bley's vashkar has some pretty out there slash chords like G minor/ B. they are not inversions in the conventional triadic sense but they could be considered inversions of extended chords.

  • Nice lesson! More Ideas!

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