Uploader Comments (napat14)
All Comments (20)
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I disagree. Although Horne excelled in the coloratura repertoire she definitely did not have a light lyric voice. I think she is amazing here!
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French orchestra? Great horn vibrato. NOt everyone should sound like the Chicago Symphony.
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As for transposition. I've seen full productions of Alceste performed at Baroque pitch. Needless to say, it's Marilyn Horne, she can do whatever the heck she wants :-)
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does anybody may whote down the lyric please?
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I like Marilyn Horne's bel canto repertoire but I've heard Divinites du Styx sung better. Listen to Shirley Verrett and Leontyne Price singing this - they are both phenomenal, giving the aria a more noble, serious, darker and deeper tone. When a mezzo sings this in a more contralto type of way it sounds really excellent.The orchestra here is playing too fast which also ruins the beauty of this aria. Horne is really more of a light-lyric mezzo di coloratura rather than a pure dark-hued mezzo.
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GREAT HORNE!!!
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Incredible performance. Jumping on the transposition bandwagon about a year too late, I hope that the detractors are at least aware that at Gluck's time, the diapason was nearly a full step lower than it ended up by about 1850 (as documented in Berlioz's letters). And, yes, Mme. Horne is just great, of course!!!
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Great
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Well, transposed or no....it's awesome! If they only way the great Horne could perform it at that time was to transpose it, then I say...TRANSPOSE!!!! I'd rather hear her sing it step down than to not hear her sing it at all!!!
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Another great performance by the one and only Horne, yet as a side note, at that stage of her career the top register is not as free and easy as it was once used to be.



Does anyone know when this was recorded?
vocalvideos 3 years ago
1986.
napat14 3 years ago