The Dynamites - (Clancy Eccles) - Eternally

Tune!

From the 'Fire Corner' album - 1969 Clandisc label

A bit of info on Clancy Eccles:

Son of a tailor and builder, Eccles spent his childhood in the countryside of the parish of Saint Mary. He used to regularly attend church, and he became influenced by spiritual singing. In his late teens, he moved to Ocho Rios, where he performed at night in various shows, with artists such as The Blues Busters, Higgs & Wilson and Buster Brown. He moved to Kingston in 1959, where he started his singing career. He first recorded for Coxsone Dodd, who noticed him at a talent show.

Eccles had a Jamaican hit in 1961 with the early ska song "Freedom", which was recorded in 1959. It was one of the first Jamaican songs with socially-oriented lyrics. The song discussed the concept of repatriation to Africa, an idea developed by the growing Rastafari movement. The song became the first Jamaican hit to be used for political purposes; Alexander Bustamante, founder of the Jamaican Labour Party and at that time Chief Minister of Jamaica adopted it for his fight against the Federation of the West Indies in 1960. In the following years, Eccles had other successful songs, mixing boogie/rhythm and blues influences with ska rhythms, such as "River Jordan" and "Glory Hallelujah".

In 1962, he started promoting concerts and set up his Christmas Morning talent show; first with Dodd, then on his own. He organized concerts for The Clarendonians in 1963, and for The Wailers in 1964 and 1965. He launched other talent search contests, with Battle of the Stars, Clancy Eccles Revue, Independent Revue and "Reggae Soul Revue; from which emerged stars such as Barrington Levy and Culture.

Starting in 1963, he recorded with producers such as Charlie Moo (Leslie Kong's business partner) and the husband of Sonia Pottinger, Lyndon. He couldn't make a living from his music, so he quit in 1965 to work as a tailor in Annotto Bay. During this period, he made stage outfits for musicians such as Kes Chin, The Mighty Vikings, Byron Lee and the Dragonnaires, Carlos Malcolm and The Blue Busters.

He went back to music in 1967, producing his own recordings as well as those of other artists. He scored a hit with Eric 'Monty' Morris' reggae song "Say What You're Saying", and with his own song "Feel The Rhythm". Eccles' first hit, "What Will Your Mama Say" was released by the recently-created United Kingdom label, Pama Records. In 1968, his song "Fattie Fattie" became a skinhead reggae classic, along with his productions of recordings by the toasting DJ King Stitt ("Fire Corner", "Van Cleef", "Herbman Shuffle"). Eccles recorded many organ-led instrumentals with his session band The Dynamites (same band has Derrick Harriott's Crystalites), featuring Winston Wright. In 1970, Eccles helped pave the way to the dub music genre by releasing an instrumental version of "Herbman Shuffle" called "Phantom", with a mix focusing on the bass line.

Eccles launched different record labels for his works: Clansone, New Beat and Clandisc (a UK subsidiary of Trojan Records). He recorded artists such as Alton Ellis, Joe Higgs, the Trinidian Lord Creator ("Kingston Town"), Larry Marshall, Hemsley Morris, Earl Lawrence, The Beltones, Glen Ricks, Cynthia Richards, Buster Brown and Beres Hammond. Appreciated by musicians for his fairness and sense of equity, he helped Lee Perry set up his Upsetter record label in 1968, and helped Winston 'Niney' Holmes (later known as 'The Observer') record his first hit as a producer in 1971 ("Blood & Fire").

A socialist militant, Eccles took part in Jamaica's 1972 prime ministerial elections by organizing a "Bandwagon" featuring musicians such as Bob Marley & the Wailers, Dennis Brown, Max Romeo, Delroy Wilson and Inner Circle. They went around the island to support the campaign of People's National Party (PNP) leader Michael Manley. Throughout the 1970s, he remained close to Manley and wrote several songs in praise of the PNP program, including his hits "Power For The People", "Rod Of Correction" or "Generation Belly".

By the mid 1970s, his popularity declined and he had to live off the money from his concerts. In the 1980s, Eccles slowed down his musical activities and he never met success again, apart from a few political songs, such as "Dem Mash Up The Country" in 1985. Eccles died on June 30, 2005 in Spanish Town Hospital from complications of a heart attack.

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[annissa30]

Mummy and daddy flingfoot chune,! Remember? front room, bluespot.........

[lardsah]

Aye! Yu had a gram too? Wicked memories for true.

Bless up sis!

[whotaughtyou]

AMSTRAD EDIT HINZ OUTPUT £103 ANDREA MCLEANATALIE IMBRUGLIA MY MONEY NOT WOMEN CASH?

[whotaughtyou]

SIR IS THE ENVIRONMENT LED BY WAR PRIME MINISTER SIR ALEXANDER BUSTAMANTE

halle

ADVISE 0129M HIS DOCTOR NEVER MET HER VINYL WOOD TUNISIA

[whotaughtyou]

SIR IS THE ENVIRONMENT LED BY WAR

halle

ADVISE 0129M HIS DOCTOR NEVER MET HER VINYL WOOD TUNISIA

[choleracol]

@hathechewed '87 skin likes this massively too. An all ages classic!

[Bismarck126]

A lovely tune and a nice read too while listening

[hathechewed]

69/70 skin likes this;-)

[hangene92]

@two9parkave damnnn niceee!!

[Ecclizati0n]

!!!

[0s4m4]

great tune

[dukesteveduke]

Exquisite Lardsah! I'd forgotten how good that whole album is. Usually only hear horn work as brilliant as this on Ska records, not from 1969, eh?