Moll, van der Walt - Wer ein Liebchen hat gefunden (He who has found a sweetheart)

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Uploaded by on Jun 17, 2009

Scene 2 - Song and Duet from 1988 Royal Opera Covent Garden presentation of Mozarts "Die Entführung aus dem Serail".
Belmonte - Deon van der Walt, Osmin - Kurt Moll.

Uploading this to praise stellar performance of magnificent Kurt Moll :)

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Music

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Uploader Comments (andorino)

  • zorry, this video is for 5 star, not 2

  • nevermind, as long as you've enjoyed it :)

Top Comments

  • kurt moll ist der beste!

    ich hatte das glück einige male mit ihm zusammen auf der bühne zu stehen.

    wenn man direkt neben ihm steht wirkt seine stimme noch mächtiger

    er ist definitiv ein vorbild für eine schöne bassstimme

  • Not to mention he is an awesome actor! he really gets the part(s) that he plays. Mozart would have been proud.

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All Comments (13)

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  • the rope of the first act will sound dangerous in the final act!

  • Text by Christoph Friedrich Bretzner, revised by Gottlieb Stephanie, Jr. Set by Wolfgang Amadeus Mozart (1756-1791) Wer ein Liebchen hat gefunden, die es treu und redlich meint, lohn' es ihr durch tausend Küsse, mach' ihr all das Leben süße, Sei ihr Tröster, sei ihr Freund. Tralallera, tralallera! Doch sie treu sich zu erhalten, schliess er Liebchen sorglich ein; denn die losen Dinger haschen jeden Schmetterling, und naschen gar zu gern vom fremden Wein. Tralallera, tralallera! …
  • Kurt Moll ist einfach wahnsinnig gut. Schauspielerisch wie gesanglich liegt er auf einem Niveau, dass kaum erreichbar scheint.

  • This recording suffered from serious aladdin syndrome - a supporting character stealing the show and making everyone else look bad with his awesomeness

  • Great performance

  • The little cunt who pressed thumbs down should be shot. Kurt Moll is a divinity :)

  • upload this dvd opera to i download please!

  • Lol @ Moll's hideous beard :) He's the best Osmin, btw.

  • Moll is not only the most fantastic basso profundo, with that black color and low range, but see how well he sings the high notes. When he starts the phrases up on the high note "tra la ley la", notice how he doesn't have to scoop or slide up there, no strain at all. For this kind of bass, that's remarkable. I love Kurt!

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