Schumann Piano Concerto in A Minor (4/4); 3rd movement; Abbado & Pollini

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Uploaded by on Jul 19, 2009

Robert Schumann
Claudio Abbado
Maurizio Pollini
Berlin Philharmonic

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Music

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Standard YouTube License

  • likes, 2 dislikes

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Uploader Comments (mahlerite)

  • Simply marvelous.. this couple of musicians (their team - work and their individual talent) have no comparison

    Hooray for Schumann, but hooray for Italy as well

    Greetings from Colombia

    simplemente maravillosos... esta pareja de músicos (su trabajo en equipo y sus virtudes individuales) no tiene igual...

    viva Schumann.. pero.. q viva Italia también

    Saludos desde Colombia

  • @loborojos

    Greetings from the USA.

    Also, thank you for listening!

  • I generally love Pollini, but this is singularly uninspiring.

  • When I first heard this rather classical rendition, I thought it seemed a little flat, too, like the piano playing was overly mechanical, and that there wasn't enough rubato for my tastes, but I've grown to like it in its own place.

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All Comments (19)

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  • Hello Youtube :) I am a 12 year-old-student who goes to a music school and I am from Greece. At school , We were talking about pianists and we talked about Schumman and the Teacher told me that he ended to an asylum cuz of his paranoia and schizofrenia.If someone has a song that proves that could he/she send me ? I would be really happy to hear one :)

  • Este concierto para piano me recuerda a Chopin...

  • 9:14 ;D

  • It is true that Clara has Lives in wrong century .Also it is true that Robert Schumann is crazy G E N I U S

    G L O R Y Schumann

  • I love those smiling guys in the beginning.

  • I feel that to call this 'uninspiring' is a little harsh. It is measured and less deliberately virtuoso perhaps than some others. But I find it refreshing for taking the crazy Schumann score at a more digestible tempo. To see what happens if you decide on a dramatic interpretation, try listening to Martha Argerich's take on it. I adore her and rate her very highly, yet I think her speeded up tempo renders it indecipherable and hard to follow. A great deal is lost in the process IMHO.

  • OPUS 54

  • this is now my favorite of his work

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