P.TCHAIKOVSKY piano concerto no.3 Op. post.75 Graffman\Ormandy\Philadelphia O.

P.Tchaikowsky piano concerto no.3 (the unfinished) Graffman\Ormandy\Philadelphia O.

Pyotr Ilyich Tchaikovsky's Piano Concerto No. 3 in E-flat major, Op. post. 75, was begun as a symphony in E flat. The symphony was abandoned, only to become a single-movement Allegro brillante when published posthumously. Controversy remains, despite the composer's stated intentions, as to what form this concerto would have taken had Tchaikovsky completed it to his satisfaction. This question is further heightened by two points—the musical quality of what might have been intended as the second and third movements of the concerto and whether this material was worth the efforts of his former student and fellow-composer Sergey Taneyev in resurrecting it after Tchaikovsky's death. These two movements were published as a separate but related composition as Op. post. 79 under the title Andante and Finale.

Most pianists who have performed this work have played the single-movement Allegro brilliante. More recently, it has been played together with the Andante and Finale as a three-movement concerto. The single-movement version also served as the basis for the ballet Allegro Brillante, as imagined and choreographed by George Balanchine in 1956 for the New York City Ballet.

In the 1950s, Russian musicologist and composer Semyon Bogatyrev used the sketches for the Third Piano Concerto, the Andante and Finale for piano and orchestra and a Scherzo from Tchaikovsky's Eighteen Pieces for Piano, Op. 72, to reconstruct Tchaikovsky's Symphony in E flat. This piece was subsequently published and recorded under the title "Symphony No. 7."

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• P.Tchaikowsky
• piano
• concerto
• no.3
• (the
• unfinished)
• Graffman\Ormandy\Philadelphia
• O.