Olivier's Hamlet film (1948): To Be Or Not To Be soliloquy
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too artificial,
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@Raggedy9 what a ponse
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The only thing that's believable about this performance is that it is a performance. And the waking up from the dream part was god awful.
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@nonh1 You are absolutely right you have to make the words your own. This is indeed the question of life.
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Fucking awful music
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Aside from his line readings, his "acting" so to speak, what I find astonishing is his realization of the soliloquy as a piece of film. He probably would have played it quite differently in a stage performance. Here the camera [that is, the viewer] climbs to the highest turret in the castle, sees the waves crashing below, thinks of jumping, and enters Hamlet's brain from behind. Also very strong use of the knife. A movie must show us, not merely tell us. Olivier accomplishes this quite daringly.
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disprized not despised!
I believe the best way to perform it is to really think about the meaning of the monologue and see if you ever felt that way (forget big academic interpretations for a while) and try to remember how did you react in those occasions. I know, it sounds like a cheesy answer, but it worked for me (at least in other kind of roles)
nonh1 3 months ago 9
@Nathanianianiel Acting, like all arts, changes with the times, and what was fashionable a generation or two ago might not be so fashionable now
cammurabi 4 months ago 4