James Carr - The Dark End Of The Street

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Kilu71
September 06, 2008

"The Dark End of the Street" is a 1967 soul song written by Muscle Shoals songwriter Dan Penn and Chips Moman and first performed by James Carr. The song became Carr's most popular, reaching number 10 on Billboard Magazine's Black Singles Chart, and crossing over to number 77 on the Pop chart.

Written by Penn, a professional songwriter and producer, and Moman, a session guitarist at Phil Spector's Gold Star Studio, the song is the lament from an adulterer to his illicit lover, told from the adulterer's point of view. They continue their sin, "hiding in shadows where [they] don't belong" because their "love keeps coming on strong." At the climax of the song, the narrator fears "they're gonna find us some day."

In the summer of 1966, while a DJ convention was being held in Memphis, Tennessee, the song was written in about thirty minutes. Penn and Moman were cheating while playing cards with Florida DJ Don Schroeder.[1] They wrote the song while on a break. "We were always wanting to come up with the best cheatin' song. Ever," Penn said.[2] The duo went to the hotel room of Quinton Claunch, another Muscle Shoals alumnus, and founder of Hi Records, to write. Claunch told them, "boys, you can use my room on one condition, which is that you give me that song for James Carr. They said I had a deal, and they kept their word."[3]

The song has been covered by many artists, including Deacon Blue, Elvis Costello, Ry Cooder, Aretha Franklin, Linda Ronstadt, Percy Sledge, The Allman Brothers, Richard Thompson and Linda Thompson, Eva Cassidy, Frank Black, Diamanda Galás, Flying Burrito Brothers, The Afghan Whigs, Widespread Panic and Eels.

The song was a top 25 country music hit for the duet team of Archie Campbell and Lorene Mann in early 1968, and covered later that year by Porter Wagoner and Dolly Parton on their album, Just the Two of Us.

Southern novelist Ace Atkins titled his 2002 book "The Dark End of the Street" after the song.

Today, the song is closely regarded as a classic recording of the "Muscle Shoals Sound".

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