toujours Ernest derriere la cam pour nous donner un bon moribayassa version total mandingue,,,,big up !guez au sangban,will au dunun,kaddour au kenkeni,et bien sur pat au djembé solo & co
I got a video from Sangbarala where they play the Moribayassa Sangban as a Soliba version - of course with the closed strokes offbeat, as they sometimes do for Soliba, too (Baro and elsewhere). I don't say the Baro Morib. has something to do with Soliba - but the rhythm played here most probably has (as you just said there is a huge gap between what you know and what's played here - still both can exist).
@DanielKonate Wat i am trying to say...:-)...:: the way I know Moribayassa is totally different than the rhythm I hear above. the Moribayassa I know, does not look like this rhythm. And also the soloparts are very different and make the phrase: Ti ba sidi ba qi sang, Moribayassa. I don't think Moribayassa has anything to do with Soliba. Not musically and culturaly. But Mansa is here in Holland for the bookpresentation concert en I will check with him....;-) Greetz, Niels
... the Mamady version we got here is a modern creation: Just leave the dundunba part out and you get a rhythm that makes sence (remember there is no dundunba up there in the north!).
Still I think you have to distinguish between cultural an musical aspects. I believe that the situation for it exists (or existed). But the music is Soliba (for birth parties, too, you will find women dancing, clapping and playing bells without any drummers, but you will know, when it's Soliba, Soli, Dyidanba - what you probably call Dyikaba). Again, in Baro the cultural situation might be served by another rhythm (which I would indeed be very interested in).
@DanielKonate Hey Daniel, Moribayassa does exist! It's an ancient rhythm, originally played only bij women on pots and pans. I have seen some very old Moribayassa places, where you can find old pieces of pots and pans. It is a rhythm with an own history. You can also find it in my new book that i wrote with Mansa Camio. it is out now! When you want to order it, send me an e-mail. Greetz, Niels
Hey Niels, my question to you: does Moribayassa exist?
In my opinion it's just Soliba(Balakulandyan), a version played without the Dundunba and than re-added the Dundunba part of Soliba (which doesn't work; with a Sangban like that, you should leave the Dundunba or play downbeat). Moribayassa is an only MK class rhythm with traditional sources IMO.
@DanielKonate Offcourse...:-) Nice to hear from you again by the way...:-)
DununbaPercussie 1 year ago
@DununbaPercussie
I got a video from Sangbarala where they play the Moribayassa Sangban as a Soliba version - of course with the closed strokes offbeat, as they sometimes do for Soliba, too (Baro and elsewhere). I don't say the Baro Morib. has something to do with Soliba - but the rhythm played here most probably has (as you just said there is a huge gap between what you know and what's played here - still both can exist).
Read you soon,
Daniel
DanielKonate 1 year ago
@DanielKonate Wat i am trying to say...:-)...:: the way I know Moribayassa is totally different than the rhythm I hear above. the Moribayassa I know, does not look like this rhythm. And also the soloparts are very different and make the phrase: Ti ba sidi ba qi sang, Moribayassa. I don't think Moribayassa has anything to do with Soliba. Not musically and culturaly. But Mansa is here in Holland for the bookpresentation concert en I will check with him....;-) Greetz, Niels
DununbaPercussie 1 year ago
@DununbaPercussie
... the Mamady version we got here is a modern creation: Just leave the dundunba part out and you get a rhythm that makes sence (remember there is no dundunba up there in the north!).
Greets, Daniel
DanielKonate 1 year ago
@DununbaPercussie
Thanx Niels!
Still I think you have to distinguish between cultural an musical aspects. I believe that the situation for it exists (or existed). But the music is Soliba (for birth parties, too, you will find women dancing, clapping and playing bells without any drummers, but you will know, when it's Soliba, Soli, Dyidanba - what you probably call Dyikaba). Again, in Baro the cultural situation might be served by another rhythm (which I would indeed be very interested in).
DanielKonate 1 year ago
@DanielKonate Hey Daniel, Moribayassa does exist! It's an ancient rhythm, originally played only bij women on pots and pans. I have seen some very old Moribayassa places, where you can find old pieces of pots and pans. It is a rhythm with an own history. You can also find it in my new book that i wrote with Mansa Camio. it is out now! When you want to order it, send me an e-mail. Greetz, Niels
DununbaPercussie 1 year ago
@Barafoli
Hey Niels, my question to you: does Moribayassa exist?
In my opinion it's just Soliba(Balakulandyan), a version played without the Dundunba and than re-added the Dundunba part of Soliba (which doesn't work; with a Sangban like that, you should leave the Dundunba or play downbeat). Moribayassa is an only MK class rhythm with traditional sources IMO.
Greets from the village d;-)
DanielKonate 1 year ago
dont let it fall !!! nice played!!!!!
popkorn2906 1 year ago
djuns are in too early, you're right
dextergordon72 1 year ago
dununs enter too early after the break
jiff12 2 years ago